{"items":{"gb_cambridge_sculpture_trails":{"addenbrookes":{"ampersand":{"artist":{"lang":"en","text":"Sam Shendi"},"desc":{"lang":"en","text":"Ampersand is inspired by the writing style from Arabic and Chinese calligraphy, using a constant single line to create a word. It becomes a combination of sculptural form and language. In this way, stainless steel pipes covered with high polish paint create a two-dimensional symbol in three-dimensional form.\n\nSam Shendi (b 1975) is an Egyptian born, British sculptor who creates joyfully coloured abstractions using the subtlest of indicators, hinting at the complexity of human interactions."},"finish":{"lang":"en","text":"Stainless steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fampersand.jpeg?alt=media"}],"index":"aac","info_url":["https://www.samshendi.co.uk/"],"location":[52.17569,0.13421],"location_name":{"lang":"en","text":"Outside the entrance of the MRC Laboratory of Molecular Biology"},"title":{"lang":"en","text":"Ampersand"},"type":10,"year":2020},"asklepian":{"artist":{"lang":"en","text":"Ivan Black"},"desc":{"lang":"en","text":"Access is during hospital opening hours. There is a plaque about the sculpture near the entrance.\n\nThe sculpture suspended from the ATC ceiling was inspired by the ancient symbol of medicine, 'The Staff of Asclepius', a single snake wound around a staff. Asclepius was the Greek god of healing who was often pictured with such a staff. It has been widely used throughout history (including the World Health Organisation) as a symbol for healing and medicine. The colours echo each of the Treatment Centre levels, while the movement of the outer wheels circling the central column mimic that of the snake entwined around Asclepius's staff.\n\nIvan Black (b 1972) is inspired by natural forms and uses mathematical formulae to combine art, science and technology in his work."},"finish":{"lang":"en","text":"Fibreglass"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fasklepian.jpeg?alt=media"}],"index":"aag","info_url":["https://www.ivanblack.com"],"location":[52.17412124971995,0.13808078465460566],"location_name":{"lang":"en","text":"Addenbrooke’s Treatment Centre (ATC) atrium foyer, Keith Day Road"},"title":{"lang":"en","text":"Asklepian"},"type":10,"year":2008},"cluster":{"artist":{"lang":"en","text":"Laura Ellen Bacon"},"desc":{"lang":"en","text":"Cluster was made by the artist manipulating the oak timber using a steam-bending technique. The sculpture was inspired by the art of hedge-laying – a country skill practiced around Cambridge and it appears as if growing from either side of the pathway. The sculpture also refers to the archaeological survey of the site which revealed upright posts used as historic fence enclosures and waymarkers.\n\nLaura Ellen Bacon (b 1976) transforms raw, predominately natural materials into large-scale artworks in both interior and landscape settings."},"finish":{"lang":"en","text":"Oak"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fcluster.jpeg?alt=media"}],"index":"aal","info_url":["https://www.lauraellenbacon.com/"],"location":[52.17221,0.14291],"location_name":{"lang":"en","text":"Nine Wells, located on the west side of the housing development opposite the Drayton houses and the Linton House."},"title":{"lang":"en","text":"Cluster"},"type":10,"year":2016},"confluence":{"artist":{"lang":"en","text":"Peter Randall-Page"},"desc":{"lang":"en","text":"The artist has created a sculpture which integrates into the landscape of the Nine Wells housing development in one of the site’s water collection ponds. Channels are incorporated into the surface which when wet reveal a complex drawing of river systems and deltas. The sculpture references the water channels and rills visible throughout the development.\n\nPeter Randall-Page (b 1954) is a British artist and sculptor, known for his stone sculpture work, inspired by geometric patterns from nature."},"finish":{"lang":"en","text":"Granite and water"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fconfluence.jpeg?alt=media"}],"index":"aak","info_url":["https://www.peterrandall-page.com/"],"location":[52.17215,0.14629],"location_name":{"lang":"en","text":"Nine Wells, at the far end of Urwin Gardens"},"title":{"lang":"en","text":"Confluence"},"type":10,"year":2015},"corpus":{"artist":{"lang":"en","text":"Dalziel + Scullion"},"desc":{"lang":"en","text":"Corpus recalls the stone circles erected by our ancestors and appear as a series of scattered bones. The forms draw on the structure of spinal vertebrae – a sophisticated design solution we share with many other species – epitomising inner strength, persistence and determination. People are encouraged to interact with these stones, discovering that each has been shaped around the human profile. They invite the user to sit, recline, lie, or lean on their cool surface. Their evolving shape from recumbent through to standing, allows the body to sense a range of physical and perceptual experiences and perhaps an opportunity to pause.\n\nMatthew Dalziel (b 1957) and Louise Scullion (b 1966) are Scottish based artists working with sculpture, photography, video and sound exploring new ways to engage with the subjects of the environment and ecology."},"finish":{"lang":"en","text":"Skye marble and Portland stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fcorpus.jpeg?alt=media"}],"index":"aae","info_url":["https://dalzielscullion.com/"],"location":[52.1763,0.13728],"location_name":{"lang":"en","text":"Adjacent to Jeffrey Cheah Biomedical Centre"},"title":{"lang":"en","text":"Corpus"},"type":10,"year":2018},"family_group":{"artist":{"lang":"en","text":"Daphne Hardy Henrion"},"desc":{"lang":"en","text":"This bronze family group was originally commissioned by Misha Black for the Alliance Building Society, Brighton. It was acquired by Addenbrooke's in 1994.\nDaphne Hardy Henrion (1917-2003) attended Royal Academy Schools, 1934–7. Aged 20 she won the Gold Medal and Travelling Scholarship. She studied in Europe where she developed her interest in traditional Italian figurative sculpture. Hardy Henrion is appreciated for her ability to reveal each subject’s character and for her portraits of children in bronze or simply modelled in terracotta. She was a member of the Cambridge Society of Painters & Sculptors, 1980–95."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Ffamily_group.jpeg?alt=media"}],"index":"aah","info_url":["https://artuk.org/discover/artists/hardy-henrion-daphne-19172003"],"location":[52.17538,0.14124],"location_name":{"lang":"en","text":"Exterior wall of main building between Addenbrooke’s Hospital Main Reception and the Emergency Department (A&E)"},"title":{"lang":"en","text":"Family Group"},"type":10,"year":1960},"futurian":{"artist":{"lang":"en","text":"Michael Kenny"},"desc":{"lang":"en","text":"This monumental and colourful relief transforms an otherwise blank brick wall and is one of the most noticeable artworks on the site. It was decided that this important work by Kenny deserved proper identification and the letter cutter David Kindersley was commissioned to make a slate plaque. This commission led to many more for the Kindersley workshop, which can be seen throughout the hospital.\nMichael Kenny (1941 – 1999) is noted as a teacher, for his sculptures in wood and metal, and also for reliefs and drawings. His relief in stone 'On Strange and Distant Islands' (1992), above London’s busy Limehouse Link Tunnel, can be viewed by many travellers. In much of his work Kenny uses geometric shapes placed to allow for the importance of negative spaces. His work is said to suggest a human presence that is not fully described."},"finish":{"lang":"en","text":"Mixed media"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Ffuturian.jpeg?alt=media"}],"index":"aai","info_url":["https://en.wikipedia.org/wiki/Michael_Kenny_(sculptor)"],"location":[52.17557,0.1423],"location_name":{"lang":"en","text":"Overlooking the entrance to Addenbrooke’s Hospital Outpatients"},"title":{"lang":"en","text":"Futurian"},"type":10,"year":1989},"gate_of_health":{"artist":{"lang":"en","text":"Ju Ming"},"desc":{"lang":"en","text":"This is a sculpture that draws on the martial art of tai chi for its inspiration, using the shapes held by the human body during different movements. The artist describes the form of the arch and the evolution of the series over the past 30 years as the culmination of the series' abstract form; building on the form of the 'Push Hand' movements and the pared back, abstract shapes of the human body when conducting them.\n\nThe artist carves quickly so that surfaces remain rough, with cuts and gashes clearly visible in the original material before casting, suggesting an imperfect inner spirit. \"When one sculpts at high speed, cutting strokes follow closely upon each other and attention is focused on the fleeting moment.... It is the power of instinct that brings the work to completion,\" he says.\n\nJu Ming (b 1938) is a Taiwanese sculptor who marries profound knowledge of and respect for the traditions of Chinese art with absorption in the grammar of modern art."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fgate_of_health.jpeg?alt=media"}],"index":"aad","info_url":["https://en.wikipedia.org/wiki/Ju_Ming_Museum"],"location":[52.17707,0.13625],"location_name":{"lang":"en","text":"Outside the Li Ka Shing Centre"},"title":{"lang":"en","text":"The Taichi Arch - Gate of Health"},"type":10,"year":2007},"microscape":{"artist":{"lang":"en","text":"Michael Brennand-Wood"},"desc":{"lang":"en","text":"Leading to the entrance of the Treatment Centre you will find three screens depicting imaginary landscapes. The screens show the three main users of the hospital: patients/visitors, clinical workers and bio medical research staff. Patterns, both medical and cultural, are key components of the artwork's visual language. The screens are envisaged as a cellular map/landscape that reflect the diversity of people who use, visit, and work within the hospital from across the globe.\nMichael Brennand-Wood (b 1952) is a visual artist, curator, lecturer and arts consultant, who for over 40 years has occupied a central position in the research, origination and advocacy of contemporary international art textiles. From his childhood he was influenced by the Lancashire textile traditions and he incorporates fabric with a range of materials to create sculptures."},"finish":{"lang":"en","text":"Corten Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fmicroscape.jpeg?alt=media"}],"index":"aaf","info_url":["https://michaelbrennand-wood.com/commission/addenbrookes-hospital-clinical-research-centre-cambridge/"],"location":[52.17433,0.13795],"location_name":{"lang":"en","text":"Addenbrooke’s Treatment Centre (ATC) entrance, Keith Day Road"},"title":{"lang":"en","text":"Microscape"},"type":10,"year":2017},"otter":{"artist":{"lang":"en","text":"Laurence Broderick"},"desc":{"lang":"en","text":"Fascinated by these playful creatures, Laurence learned that they were, at the time, an endangered species. He launched a campaign to raise awareness and funds for the plight of otters and is now joint president of the global charity, the International Otter Survival Fund. In this sculpture, movement is suggested by the curving forms and flowing water.\n\nLaurence Broderick (b 1935) works predominantly in bronze and a wide variety of stone. He studied painting, illustration and sculpture. His best known work is 'The Bull'; a public sculpture erected in 2003 at the Bull Ring, Birmingham."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fotter.jpeg?alt=media"}],"index":"aaj","info_url":["https://en.wikipedia.org/wiki/Laurence_Broderick"],"location":[52.1755,0.14338],"location_name":{"lang":"en","text":"Addenbrooke’s Hospital Outpatients Garden"},"title":{"lang":"en","text":"Diving Otter Fountain II"},"type":10,"year":2016},"resurgence":{"artist":{"lang":"en","text":"Angela Holmes"},"desc":{"lang":"en","text":"Sited near the front of The Rosie Hospital the sculpture 'embodies qualities of embrace and protection pertinent to parent and child.' As a child, Angela Holmes (b 1953) was present when the foundation stone was laid for the new Addenbrooke's Hospital."},"finish":{"lang":"en","text":"Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fresurgence.jpeg?alt=media"}],"index":"aam","info_url":["https://www.angelaholmes.co.uk/news"],"location":[52.17299,0.138778],"location_name":{"lang":"en","text":"Located in front of the bicycle rack area next to The Rosie Hospital, Robinson Way"},"title":{"lang":"en","text":"Resurgence"},"type":10,"year":2012},"senescent_generator":{"artist":{"lang":"en","text":"Shezad Dawood"},"desc":{"lang":"en","text":"Dawood’s research into interspecies systems and the communication networks within plant roots is the inspiration for this sculpture of the roots of a yew tree.  Its location reflects the complex and collaborative working relationships that exist on the Biomedical Campus.  The yew tree has been chosen for its symbolism, history and pharmaceutical importance, with anti-cancer drugs being harvested from its poisonous foliage.\n\nA sound composition by Teresa Winter, made from frequency recordings of local yew trees, invites the visitor to pause and listen to the rhythms of the natural world.\n\nShezad Dawood’s artworks include paintings, sculptures, textiles, films and digital media and reflect his fascination with ecology and architecture.  Born in 1974, he trained at Central St Martin’s and the Royal College of Art.\n\nAnother work by Shezad Dawood, Lean-To, can be seen at no.10 Station Road , Cambridge.\n\nIf you wish to return to where you started, cross Dame Mary Archer Way turn right and then left into Papworth Rd leading to Papworth Hospital."},"finish":{"lang":"en","text":"Welded brass"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fsenescent_generator.jpeg?alt=media"}],"index":"aan","info_url":["https://shezaddawood.com"],"location":[52.169966,0.136678],"location_name":{"lang":"en","text":"In the garden of Abcam Limited off Discovery Drive"},"title":{"lang":"en","text":"Senescent Generator"},"type":10,"year":2025},"the_green_and_the_gardens":{"artist":{"lang":"en","text":"Ryan Gander"},"desc":{"lang":"en","text":"The Green and The Gardens is a set of landscaped spaces for relaxation and calm, and to inspire thriving new relationships and ideas between current and future Cambridge Biomedical Campus organisations. The artist worked with Gillespies landscape architects to design the landscape and all its features (routeways, planting, street furniture, lighting and sculpture) as one holistic public art and landscape commission. The artist’s sculptural elements include coloured tents made of polyurethane resin that glow at night, an open gateway, a stile, and a community noticeboard for the whole campus to use.\n\nRyan Gander (b 1976) creates art in many different forms – from sculpture to film, writing, graphic design, installation, performance and more besides. He feels that art should be interpreted openly by people in their own way."},"finish":{"lang":"en","text":"Earth, trees, plants, lighting, seating, drinking fountains, and sculpture (timber and polyurethane resin)."},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Fthe_green_and_the_gardens.jpeg?alt=media"}],"index":"aaa","info_url":["https://cambridge-biomedical.com/public-art-cambridge/commission/the-green-and-the-gardens/"],"location":[52.17363,0.13501],"location_name":{"lang":"en","text":"Located between Royal Papworth Hospital and AstraZeneca"},"title":{"lang":"en","text":"The Green and The Gardens"},"type":10,"year":2019},"until_the_day_you_feel_good":{"artist":{"lang":"en","text":"Adam Ball"},"desc":{"lang":"en","text":"Two 3m tall by 16m wide glazed walls are sited as part of the north and south entrances to the hospital. The artwork was initially created from white fabric, hand-cut with surgical scalpels in 11 sections at 1:1 scale. It was then photographed, before being specialist screen-printed onto glass, and backlit by a bespoke LED lighting system designed to gradually change colour over the course of the year. To ensure the artwork reflected the work taking place at the hospital, the artist collaborated with different departments (pathology, chemistry, nursing) and witnessed thoracic surgery first hand.\n\nAdam Ball (b 1977) lives and works in London and has exhibited in institutions and galleries internationally."},"finish":{"lang":"en","text":"Screen printed glass, LED lighting"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft4%2Funtil_the_day_you_feel_good.jpeg?alt=media"}],"index":"aab","info_url":["https://futurecity.co.uk/interview-with-adam-ball-about-his-new-commission-for-royal-papworth-hospital/"],"location":[52.17373,0.13518],"location_name":{"lang":"en","text":"Front and back of Royal Papworth Hospital"},"title":{"lang":"en","text":"Until The Day You Feel Good"},"type":10,"year":2018}},"city_centre":{"a_local_history_2013":{"artist":{"lang":"en","text":"Edmund de Waal"},"desc":{"lang":"en","text":"The three vitrines are sunk below the paving outside the Alison Richard Building on the West Road side of the Sidgwick Site of Cambridge University.\n\nLooking through the reinforced glass you see piles of porcelain dishes, cylinders arranged in rows and aluminium boxes filled with shards. Edmund de Waal (b 1964) has selected pieces to represent porcelain from \"the three greatest places where porcelain has been manufactured over the last thousand years – China, France and Staffordshire\". Gold was used to highlight the value of porcelain. Also in Chinese and Japanese art when a vessel had been broken it may be mended with a seam of gold lacquer to emphasise that it had been used and appreciated.\n\nPhotograph above courtesy of Hélène Binet"},"finish":{"lang":"en","text":"Three vitrines filled with porcelain"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fa_local_history.jpg?alt=media"}],"index":"aqa","info_url":["http://www.edmunddewaal.com/"],"location":[52.20259303227067,0.109039004892111],"location_name":{"lang":"en","text":"Alison Richard Building, Sidgwick Site"},"title":{"lang":"en","text":"A Local History"},"type":10,"year":2013},"a_pattern_of_life_2001":{"artist":{"lang":"en","text":"Tim Harrisson"},"desc":{"lang":"en","text":"Sculptures by Tim Harrisson  (b 1952) in limestone and marble appear in sculpture parks all over the country and in private collections. In 2008 he won a prize in the exhibition “Touching the Divine” at the Michaelhouse Centre, Trinity Street. The winning sculpture, Root 2006, is now sited in the chapel of Westminster College, Cambridge.\n"},"finish":{"lang":"en","text":"Portland Limestone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fa_pattern_of_life.jpg?alt=media"}],"index":"aau","info_url":["http://www.timharrisson.com/"],"location":[52.20628099,0.122740986],"location_name":{"lang":"en","text":"The Fellows’ Garden  of Christ's College"},"title":{"lang":"en","text":"A Pattern of Life"},"type":10,"year":2001},"axe_carrier":{"artist":{"lang":"en","text":"Christine Fox"},"desc":{"lang":"en","text":"Time and myth are key features of Fox’s work and later, ancient artefacts, natural forms and landscape.\n\n\"The land is the anvil\", she wrote in a sketchbook, \"the wind and the rain which enters one's body create the forms\". Christine Fox, sculptor and teacher, was born in Yorkshire in 1922. She was a lecturer at Cambridge College of Arts and Technology (now Anglia Ruskin University) from 1964 - 1988 where she inspired many young sculptors. Her home and studio were at Coton, Cambridge where she died in 2012.\n\nAn additional work, Abstract Form, can be found at Clare Hall and other works at Murray Edwards College, Gathering of Owls IV and Churchill College, Crescent Moon Bull."},"finish":{"lang":"en","text":"Cast metal"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Faxe_carrier.jpg?alt=media"}],"index":"aoa","info_url":["https://www.independent.co.uk/news/obituaries/christine-fox-acclaimed-sculptor-whose-work-explored-time-and-myth-7994786.html"],"location":[52.20395612445239,0.1050561622442182],"location_name":{"lang":"en","text":"Clare Hall, College garden"},"title":{"lang":"en","text":"Axe Carrier"},"type":10,"year":1974},"bears_1904":{"artist":{"lang":"en","text":"Sculptor Unknown"},"desc":{"lang":"en","text":"The Museum is to the left of the entrance from Downing Street and the bears are on the external stair rails. Look out also for bisons, an iguanodon, a sloth and a mammoth on the exterior of this building and stairway.\n\nThe museum was opened in 1904, as a memorial to Professor Adam Sedgwick, to house his extensive collection of geological specimens and other collections owned by Cambridge University. The museum offers many holiday and weekend activities for children."},"finish":{"lang":"en","text":"Clipsham Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fbears.jpg?alt=media"}],"index":"aaq","info_url":["http://www.sedgwickmuseum.org/"],"location":[52.20286301,0.122040007],"location_name":{"lang":"en","text":"Sedgwick Museum of Earth Sciences, Downing Site, Downing Street"},"title":{"lang":"en","text":"Bears"},"type":10,"year":1904},"between_the_lines_2007":{"artist":{"lang":"en","text":"Peter Randall-Page*"},"desc":{"lang":"en","text":"A new piece of public art sited adjacent to the Grand Arcade.\nIn 2009 Peter Randall-Page (b 1954) had a major retrospective exhibition at the Yorkshire Sculpture Park, whose website carries information about his work: http://www.ysp.co.uk/\n\nAnother sculpture by the artist, Confluence 2015, can be found on Trail 4 at 9 Wells"},"finish":{"lang":"en","text":"Carved from a granite glacial boulder"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fbetween_the_lines.jpg?alt=media"}],"index":"aad","info_url":["http://www.peterrandall-page.com/about/sculptures.html"],"location":[52.20451299,0.120359017],"location_name":{"lang":"en","text":"Fisher Square, off Corn Exchange Street"},"title":{"lang":"en","text":"Between the Lines"},"type":10,"year":2007},"beyond_thinking":{"artist":{"lang":"en","text":"Cathy De Monchaux"},"desc":{"lang":"en","text":"De Monchaux's work juxtaposes seductive, soft elements, sometimes associated with strongly sexual overtones and with harder materials, resulting in work that is both sensual and threatening. This sculpture represents a column of open books, with a female figure at each centre surrounded by a network of veining.\n\nhttp://newn.cam.ac.uk"},"finish":{"lang":"en","text":"Bronze 35ft high"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fbeyond_thinking1.jpg?alt=media"},{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fbeyond_thinking2.jpg?alt=media"}],"index":"aua","info_url":["https://nmwa.org/art/artists/cathy-de-monchaux/"],"location":[52.200134361130566,0.10842275803756315],"location_name":{"lang":"en","text":"Newnham College, Sidgwick Avenue"},"title":{"lang":"en","text":"Beyond Thinking"},"type":10,"year":2018},"bigger_bite_2010":{"artist":{"lang":"en","text":"Nigel Hall"},"desc":{"lang":"en","text":"This installation is part of a long term programme of siting large sculptural works from the RA collection at publicly accessible sites within the university campus, drawing attention both to the works and to recent buildings in the university.\n\nAlthough never intended as exact representations of nature, the sculpture of Nigel Hall (b 1943) is inspired by the “geometry of nature”. Many of his pieces are visually light but large and heavy in fabrication.\n\n\"My work has always been about place. I am fascinated by the way geometry can be discerned in landscape.\"\n\nThere are three other sculptures by Nigel Hall, The Now 1999 and Southern Shade 2012, at the front of Churchill College on Trail 3 and Natural Pearl 2017, Pembroke College, Trail 2."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fbigger_bite.jpg?alt=media"}],"index":"ara","info_url":["https://www.nigelhallartist.com"],"location":[52.20200403593481,0.109249977394938],"location_name":{"lang":"en","text":"Alison Richard Building, Sidgwick Site"},"title":{"lang":"en","text":"Bigger Bite"},"type":10,"year":2010},"bronze_horse_1983":{"artist":{"lang":"en","text":"Barry Flanagan"},"desc":{"lang":"en","text":"Jesus College, Jesus Lane, holds an impressive collection of other sculpture in the grounds including:\n\n• Claire Barclay (Glowing Promise 2007)\n• Antonio Bellotti (Time's Arrow 1996)\n• Richard Bray (Maple Three Piece 1991)\n• Geoffrey Clarke (Call it Hadrian's Wall 1970)\n• Barry Flanagan (The Cricketer 1989)\n• Evelyn Herring (Mortal Man 1960)\n• Roger Hiorns (Untitled 2007)\n• Phillip King (Brake 1966)\n• Bryan Kneale (Lucifer 2006)\n• Danny Lane (Empress 2001)\n• Diane Maclean (Spine 1996)\n• Eduardo Paolozzi (Daedalus on Wheels 1994)\n• Keir Smith (Coastal Path 1986)\n• William Turnbull (Head 1987)\n• Alison Wilding (Melancholia 2003)\n\n It is free to enter Jesus College to see the outdoor sculptures as long as the College is open to the public that day. Enquire at the Porters' Lodge: 01223 339339. A plan showing the location of each sculpture is available.\n\nBarry Flanagan (1941-2009) had no personal website but there are many informative obituary notices accessible on the web. \n\nhttps://www.theguardian.com/artanddesign/2009/sep/01/barry-flanagan-obituary"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fjesus.jpeg?alt=media"}],"index":"aax","info_url":["https://www.jesus.cam.ac.uk/college/events/permanent-collection"],"location":[52.209332,0.123422015],"location_name":{"lang":"en","text":"First Court, Jesus College"},"title":{"lang":"en","text":"Bronze Horse"},"type":10,"year":1983},"cavendish_crocodile_1933":{"artist":{"lang":"en","text":"Eric Gill"},"desc":{"lang":"en","text":"Accessible between 9.00 - 17.00 weekdays only.\n\n“The Crocodile” was the nickname of the eminent physicist Lord Rutherford OM  (1871-1937) who was director of  the original Cavendish Laboratory on this site. Lord Rutherford was awarded the Nobel Prize in 1908 for his work on radioactivity and later became known as “the Father of Nuclear Physics”. Eric Gill (1882-1940) worked as a calligrapher, letter cutter and monumental mason. Later he became a well known sculptor.\n\nEric Gill did not often sign his work, but on this piece his initials are carved on the crocodile's tongue."},"finish":{"lang":"en","text":"Incised line into brick "},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fcavendish_crocodile.jpeg?alt=media"}],"index":"aag","info_url":["https://www.tate.org.uk"],"location":[52.20332402,0.11944497],"location_name":{"lang":"en","text":"On the Mond Building"},"title":{"lang":"en","text":"Cavendish Crocodile"},"type":10,"year":1933},"conversing_figures_2008":{"artist":{"lang":"en","text":"Christophe Gordon-Brown"},"desc":{"lang":"en","text":"This sculpture is in the college garden. Entrance to the garden is through staircase G.\n\nIt is essential to enquire at the Porters' Lodge 01223 339110.\n\nChristophe Gordon-Brown (b 1952) is a Cambridge sculptor usually working in stone. He seeks to achieve an intuitive balance between dynamic aspects of curves and the static quality of straight lines.\n\nThe concept here was to portray a constructive conversation between two very different people as they develop some understanding of each other's point of view.\n\nAnother work by this artist, Helix 2011, can be seen on this trail."},"finish":{"lang":"en","text":"Marble"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fconversing_figures.jpg?alt=media"}],"index":"ala","info_url":["http://www.cgb-sculpture.co.uk/"],"location":[52.20510199,0.104255034],"location_name":{"lang":"en","text":"Robinson College, Grange Road"},"title":{"lang":"en","text":"Conversing Figures"},"type":10,"year":2008},"crescent_figure":{"artist":{"lang":"en","text":"John Farnham"},"desc":{"lang":"en","text":"The work was originally designed as a small piece of jewellery in 1974. It was recast in 2019 as a gift from a college alumnus. The new casting was overseen by the artist John Farnham.\nThe sculpture will take up permanent residence in the college’s Mill Lane redevelopment to provide a visual link and continuity with the main site.\n John Farnham was an assistant to Henry Moore for several years."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fcrescent_figure.jpg?alt=media"}],"index":"aai","info_url":["http://www.johnfarnham.co.uk"],"location":[52.20176517308344,0.11955296741322856],"location_name":{"lang":"en","text":"Pembroke College"},"title":{"lang":"en","text":"Crescent Figure"},"type":10,"year":2015},"crown_of_thorns":{"artist":{"lang":"en","text":"Austin Wright"},"desc":{"lang":"en","text":"This sculpture was donated to the college in 2021 by the same alumnus who gave Crescent Figure by John Farnham.\n\nAustin Wright (1911 - 1977) grew up in Cardiff and trained to be a teacher before he became interested in modern art and the sculpture of Henry Moore. He first carved in wood and after the war worked in stone, clay and lead; later works were made in aluminium. His work draws inspiration from nature and science and is both figurative and abstract.\n\nNote that the Butler gates are only accessible to college members."},"finish":{"lang":"en","text":"Aluminium"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fcrown_of_thorns.jpg?alt=media"}],"index":"aal","info_url":["https://www.willoughbygerrish.com/artists/45-austin-wright/works/"],"location":[52.20199015932853,0.1210963396107205],"location_name":{"lang":"en","text":"Pembroke College, mounted on the back wall of Foundress Court, facing Tennis Court Road, next to the Butler gates."},"title":{"lang":"en","text":"Crown of Thorns"},"type":10,"year":2017},"dante":{"artist":{"lang":"en","text":"Timothy Schmalz"},"desc":{"lang":"en","text":"This sculpture is a gift from the artist and is situated in the back garden of 2 Adams Road, (part of the College gardens), and near the open-air theatre.\n\nThe sculpture of Dante as he presents a symbolic plaque of his gift to the world, relates to the opening part of ‘Inferno’ the first of three sections of the ‘Divine Comedy‘ an epic Italian narrative poem by Dante Alighieri.  The figure is depicted contemplating his position, confused and in state of self doubt and flight while facing the Dark Wood at the start of his journey to find the pathway to the presence of God.\n\nA Canadian, Timothy Schmalz (b 1969) is noted for his religious figures and the spiritual and humanitarian focus throughout his work. In 2021 he completed 100 cantos of the ‘Divine Comedy‘, interpreted in bronze, to celebrate the 700th anniversary of Dante’s death that year."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdante.jpg?alt=media"}],"index":"ama","info_url":["https://timothypaulschmalz.com"],"location":[52.205716666221385,0.10462624019955999],"location_name":{"lang":"en","text":"Robinson College, Grange Road"},"title":{"lang":"en","text":"Dante"},"type":10,"year":2022},"darwin_2011":{"artist":{"lang":"en","text":"Phillip King"},"desc":{"lang":"en","text":"This piece has been newly commissioned and gifted to the college. Charles Darwin was a student at Christ's College. The sculptor Phillip King (1934-2021), former President of the Royal Academy, was also a student at Christ's. An example of his early work, Span, 1967, can be seen on the Sidgwick Avenue Site on this Sculpture Trail.\n\nThe sculptor writes:\n\"The oval is the concept of evolution, the triangle the young Darwin and the open square the world at large. These forms find a balance between openness and enclosure. All forms are closed shapes that have been cut and pulled sideways to form the beginnings of a coil. The square may also be described as an open window and the rocks behind are the landscape or nature.\""},"finish":{"lang":"en","text":"Painted Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdarwin.jpg?alt=media"}],"index":"aav","info_url":["http://www.tate.org.uk/art/artists/phillip-king-1411"],"location":[52.206671,0.122937961],"location_name":{"lang":"en","text":"By the Hamied Theatre & Darwin garden, New Court, Christ's College"},"title":{"lang":"en","text":"Darwin"},"type":10,"year":2011},"daze":{"artist":{"lang":"en","text":"Antony Gormley"},"desc":{"lang":"en","text":"Daze IV formed part of Gormley's Land project 2015-16, which he refers to as \"standing stones: markers in space and time....catalyst for reflection\".  This abstract sculpture of a life-sized standing human figure is highly appropriate to its site on a university campus where students and staff meet, talk, relax and move amongst the contemporary architecture. Antony Gormley (b 1950) is renowned for his sculpture nationally and internationally. He studied at Cambridge University, graduating with a degree in archaeology, anthropology and the history of art. He has ongoing connections with Cambridge University as honorary fellow at both Trinity College and Jesus College. \n\nAnother sculpture by the same artist, Earthbound Plant, 2003, can be seen earlier on this trail.\n\nImage: Copyright The Artist\n"},"finish":{"lang":"en","text":"Cast Iron"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdaze_iv.jpg?alt=media"}],"index":"asa","info_url":["http://www.antonygormley.com"],"location":[52.20151201821864,0.108927022665739],"location_name":{"lang":"en","text":"Sidgwick Site"},"title":{"lang":"en","text":"Daze IV"},"type":10,"year":2014},"deposition_2000":{"artist":{"lang":"en","text":"Anthony Caro"},"desc":{"lang":"en","text":"Inspired by Rembrandt's picture of the Deposition from the Cross this sculpture can only be seen when Christ's College Chapel is open to the public. It is essential to enquire at the Porters' Lodge: 01223 334900.\n\nAnthony Caro (1924 - 2013) was a major figure in British sculpture. His reputation for energetic activity has become global and he is widely respected in the art world where he had many successful national and international exhibitions. He produced a huge range of work - small 'table' sculptures, large sculptural towers that are almost architecture and multi-part sculptures commenting on conflict and death in modern forms.  Latterly he undertook a huge commission in the Chapel of Light, in the Eglise de Saint-Jean-Baptiste, Bourbourg, Northern France.\n"},"finish":{"lang":"en","text":"Rolled Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdeposition.jpg?alt=media"}],"index":"aat","info_url":["http://www.anthonycaro.org/"],"location":[52.20558696,0.122207981],"location_name":{"lang":"en","text":"Christ's College, St. Andrew's Street - sited in the ante-chapel"},"title":{"lang":"en","text":"Deposition"},"type":10,"year":2000},"discover_and_acquire":{"artist":{"lang":"en","text":"Harry Gray & Will Hill"},"desc":{"lang":"en","text":"Located in two niches adjoining the Forbes Mellon Library and fronting onto Ashby Court. \n\nPlease note that it is essential to enquire at the Porters’ Lodge: 01223 333261 before visiting.\n\nHarry Gray lives and works in Cambridge and is noted for his public art. He collaborated with Will Hill, an expert in letters and typography and course leader at Anglia Ruskin University. The inspiration was to fill the niches in a meaningful way that makes an association between both the modern library and Lady Elizabeth de Clare who generously endowed the college in the 14th century. Each niche holds a laser cut metal screen and LED lighting which is activated at dusk giving a lantern effect. On the screens in ascending order are letter forms, abstract at first then discernible as letters in the typography of Venetian printer Nicholas Jenson (1420-1480). These resolve in the top four lines into an extract of Lady Elisabeth’s statutes of 1359 which are held inside the library. Notice that one screen is an English version while the other screen holds text in the original Latin.\n\nAnother sculpture by this artist, Ex Libris 2009, can be seen outside the Cambridge University Library nearby, on Trail 2. Two further works by this artist can be seen on Trail 1, Made to Measure and Setting Out."},"finish":{"lang":"en","text":"Metal and LED lighting"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdiscover_and_acquire.jpg?alt=media"}],"index":"aha","info_url":["http://www.harrygray.co.uk"],"location":[52.20532997511327,0.109618026763201],"location_name":{"lang":"en","text":"Forbes Mellon Library, Clare College"},"title":{"lang":"en","text":"Discover and Acquire"},"type":10,"year":2015},"displaced_mihi":{"artist":{"lang":"en","text":"Lyonel Grant"},"desc":{"lang":"en","text":"An information board is placed to the right of the sculpture.\n\nThe figure reinterprets the traditional carved tekoteko that stood at the top of a customary Maoria meeting house.  The Mihi is sited here as if to welcome visitors to the museum and to guard the treasures within.\nLyonel Grant  (b1957) is a New Zealand Maori Indian sculptor and Master Carver.  He trained at the Maori Arts and Crafts Institute in Rotorua. He crafted and built several traditional Marae (meeting houses).  Following an interest in Western technology and experimentation Grant  developed his work to combine traditional with non-traditional and modern materials such as  laminated bronze mouldings, copper and sculpted acrylic."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdisplaced_mihi.jpeg?alt=media"}],"index":"aap","info_url":["https://maa.cam.ac.uk"],"location":[52.20259,0.12135],"location_name":{"lang":"en","text":"Museum of Archeology and Anthropology, Downing Site, Downing Street"},"title":{"lang":"en","text":"Displaced Mihi"},"type":10,"year":2020},"dna_double_helix_2005":{"artist":{"lang":"en","text":"Charles Jencks"},"desc":{"lang":"en","text":"Visible from Queen's Road. This sculpture was donated by Nobel Laureate Jim Watson to commemorate his discovery, together with Francis Crick, of the structure of DNA.\n\nCharles Jencks (1939-2019) trained in architecture and has made several versions of this Double Helix sculpture. These are sited in different locations in UK and US including Kew Gardens. He is also well known as a writer and broadcaster and also as the designer of unusual innovative gardens and monumental landscape sculptures including The Garden of Cosmic Speculation near Dumfries."},"finish":{"lang":"en","text":"Aluminium"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdna_double_helix.jpg?alt=media"}],"index":"ada","info_url":["http://www.charlesjencks.com/"],"location":[52.20481399,0.110819992],"location_name":{"lang":"en","text":"Clare College, Memorial Court"},"title":{"lang":"en","text":"DNA Double Helix"},"type":10,"year":2005},"doors_of_the_guildhall_1933":{"artist":{"lang":"en","text":"Laurence Bradshaw (possibly influenced by Gertrude Hermes)"},"desc":{"lang":"en","text":" Commissioned by C A Cowles Voysey, the architect of the Guildhall.\n\nThe ten panels on the doors depict scenes from rural life. The plinths on either side of the entrance include seahorses which also feature in the Cambridge City coat of arms.\n\nIn the first edition of this trail the design for these doors was wrongly attributed to Gertrude Hermes. Further investigation has shown that they were the work of her close colleague Laurence Bradshaw (1899-1987), who seems to have been greatly influenced by her and later wrote about her work.  Bradshaw also won the commission to sculpt the famous brooding monument at Karl Marx's graveside in Highgate Cemetery.\n\nFurther information about his poster designs can be found on the website of London Transport Museum: http://www.ltmcollection.org/\n"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdoors_of_the_guildhall.jpg?alt=media"},{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdoors_of_the_guildhall_2.jpg?alt=media"},{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fdoors_of_the_guildhall_3.jpg?alt=media"}],"index":"aaa","info_url":["https://en.wikipedia.org/wiki/Laurence_Bradshaw"],"location":[52.20524900592864,0.119186975061893],"location_name":{"lang":"en","text":"Market Square"},"title":{"lang":"en","text":"Doors of the Guildhall"},"type":10,"year":1933},"earthbound_plant_2002":{"artist":{"lang":"en","text":"Antony Gormley"},"desc":{"lang":"en","text":"Situated at ground level in the entrance to the Downing Site, Downing Street, this installation is a human figure, cast from the artist’s body,  and is buried upside-down with only the soles of the feet showing.\n\nAntony Gormley (b 1950) is one of Britain's best known contemporary sculptors whose work, usually based on the human body, has been exhibited nationally and internationally. He studied archeology and anthropology at Cambridge University.\n\nAnother sculpture by the same artist, Daze 1V, 2014, can be seen later on this trail.\n\nImage: Copyright the artist"},"finish":{"lang":"en","text":"Cast Iron"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fearthbound_plant.jpeg?alt=media"}],"index":"aamb","info_url":["http://www.antonygormley.com/"],"location":[52.20274399,0.121825011],"location_name":{"lang":"en","text":"Haddon Library & Sedgwick Museum"},"title":{"lang":"en","text":"Earthbound: Plant"},"type":10,"year":2003},"ex_libris_2009":{"artist":{"lang":"en","text":"Harry Gray"},"desc":{"lang":"en","text":"The sculpture consists of 14 bookstacks of three different designs arranged in a straight line. In the four central ones all the books can rotate independently. The title of the piece, EX LI BR IS, is spelled out with four pairs of letters on the second highest books in the moving stacks. \n\nThe publicity at the time of the launch declared that the intention was to create a 'welcoming space' in front of this rather forbidding library building (designed by Gilbert Scott) and to project an understanding of its purpose to those outside.\n\nHarry Gray is a local sculptor with a carving workshop in Cambridge. He has a national reputation for innovative memorials. His work includes the Battle of Britain Monument on the Dover Cliffs and the Reformers' Tree in Hyde Park.\n\nAnother sculpture by this artist, Discover and Acquire 2015, can be seen at Clare College, on Trail 2 and on Trail 1, Made to Measure and Setting Out."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fex_libris.jpg?alt=media"}],"index":"aia","info_url":["http://www.harrygray.co.uk/"],"location":[52.205076,0.108765],"location_name":{"lang":"en","text":"Cambridge University Library, West Road"},"title":{"lang":"en","text":"Ex Libris"},"type":10,"year":2009},"falling_warrior_1956":{"artist":{"lang":"en","text":"Henry Moore"},"desc":{"lang":"en","text":"It is essential to enquire at the Porters' Lodge: 01223 333261\n\nHenry Moore (1898-1986) was inspired by natural forms particularly the human body and he was deeply affected by his experiences of the two World Wars. The Falling Warrior depicts the moment of agony just before death. Not a traditional hero, the figure seems to suggest the failure of brute strength and the horror of war.\n\nAn extensive sculpture collection of work by this world renowned artist can be seen at his former home at Perry Green, Hertfordshire.\n\nOther sculptures by this artist can be seen on Trail 1, Locking Piece at Homerton College, and Figures in a Shelter, Pembroke College, Trail 2.\n\nhttps://www.henry-moore.org/pg/research/henry-moore--biography"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Ffalling_warrior.jpg?alt=media"}],"index":"afa","info_url":["http://henry-moore.org/"],"location":[52.20506603,0.110150026],"location_name":{"lang":"en","text":"Clare College, Memorial Court"},"title":{"lang":"en","text":"Falling Warrior"},"type":10,"year":1956},"figure_in_a_shelter":{"artist":{"lang":"en","text":"Henry Moore"},"desc":{"lang":"en","text":"(No photograph at the request of the Henry Moore Foundation).\n\nHenry Moore’s (1898-1986) Figure in a Shelter is a work from the artist’s last creative phase, produced just three years before his death. Its forms, however, go back to sculptural ideas Moore first explored in the 1930s. The shelter that surrounds the figure within has its origins in a helmet-like head that Moore conceived about 1939–40, a shape in turn based on ancient armour. Greatly expanded, the two halves of the helmet become an enfolding architectural protection for the small, upright form, whose expanding and contracting columnar shape suggests a human body.\n\nOther works by Henry Moore, Falling Warrior, can be seen at Clare College, Trail 2 and Locking Piece, is at Homerton College, Trail 1.\n\nAn extensive sculpture collection of work by this world renowned artist can be seen at his former home at Perry Green, Hertfordshire."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://"}],"index":"aak","info_url":["https://www.henry-moore.org/pg/research/henry-moore--biography"],"location":[52.20170772651265,0.12066774849638258],"location_name":{"lang":"en","text":"Pembroke College"},"title":{"lang":"en","text":"Figure in a shelter"},"type":10,"year":1983},"finback_2008":{"artist":{"lang":"en","text":"Ben Barrell"},"desc":{"lang":"en","text":"This sculpture is visible from the entrance to the college.\n\nIn the early 1990s Ben Barrell (b 1971) started to experiment with large-scale concrete casting of free forms based on the movements of craft and creatures on the sea.  More recently he has begun to explore the relationship between sculpture and furniture which can be observed in this piece.\n\n"},"finish":{"lang":"en","text":"Bronze Resin on a steel base"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Ffinback.jpg?alt=media"}],"index":"aja","info_url":["http://www.benbarrell.co.uk/"],"location":[52.204702,0.10533697],"location_name":{"lang":"en","text":"Robinson College, Grange Road, Porters' Lodge 01223 339100"},"title":{"lang":"en","text":"Finback"},"type":10,"year":2008},"flame_2004":{"artist":{"lang":"en","text":"Helaine Blumenfeld"},"desc":{"lang":"en","text":"Helaine Blumenfeld (b 1940) is an American sculptor, who works in a wide variety of materials, including marble, terracotta and bronze. There is an abstract and organic quality about her sculpture.  She now lives near Cambridge and there are other pieces of her sculpture around the city, including Chauvinist 1990, on Trail 1, Homage 2022, Trail 2 and Tree of Life Encounter 2018 on this trail.\n\nWithin the College is an extensive collection of art which may be seen by appointment. Contact Porters' Lodge: 01223 332360.\n"},"finish":{"lang":"en","text":"Patinated Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fflame.jpg?alt=media"}],"index":"ana","info_url":["http://www.helaineblumenfeld.com/"],"location":[52.20428601,0.104566002],"location_name":{"lang":"en","text":"Clare Hall,  Herschel Road"},"title":{"lang":"en","text":"Flame"},"type":10,"year":2004},"helix":{"artist":{"lang":"en","text":"Christophe Gordon Brown"},"desc":{"lang":"en","text":"Gordon-Brown is a British-born sculptor living and working in Cambridge. \"Simplicity is the guiding concept. The curve symbolises the fluid and dynamic aspect; the straight line the static, structural and orderly.  A correct balance between the two brings a tension that appears to mimic life itself, too much chaos or too much rigidity seem to introduce a breakdown\".\n\nThis work uses the vortex of a turbine as its inspiration. The location being the former site of Thompsons Lane Power Station.\n\nAnother work can be seen at Robinson College, Conversing Figures, Trail 2."},"finish":{"lang":"en","text":"Gold Leaf Spiral in polished concrete"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fhelix.jpg?alt=media"}],"index":"aaz","info_url":["http://cgb-sculpture.co.uk"],"location":[52.21016,0.11816],"location_name":{"lang":"en","text":"Set into the wall of Varsity Hotel and Spa, Thompson Lane"},"title":{"lang":"en","text":"Helix"},"type":10,"year":2011},"homage":{"artist":{"lang":"en","text":"Helaine Blumenfeld"},"desc":{"lang":"en","text":"On loan from the artist, Homage, is visible to those passing the front entrance of the University Library. It was created to celebrate the 50th anniversary of the admission of women to Clare College and \"takes its inspiration from this hard-fought decision and how it transformed the aspirations of young women\".\n\nThe curving marble forms create a 'whale-like' fan which can be viewed from every direction.\n\nOther sculptures by the artist can be seen on Trail 1, Chauvinist, Trail 2, Flame, and Trail 3, Tree of Life: Encounter."},"finish":{"lang":"en","text":"Italian marble"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fhomage.jpg?alt=media"}],"index":"aga","info_url":["https://www.helaineblumenfeld.com"],"location":[52.20505831363517,0.10940150867858663],"location_name":{"lang":"en","text":"Clare College, Ashby Court"},"title":{"lang":"en","text":"Homage"},"type":10,"year":2022},"jester_1994":{"artist":{"lang":"en","text":"Wendy Taylor"},"desc":{"lang":"en","text":"Sited in the Paddock Area. It is essential to enquire at the Porters' Lodge: 01223 334200.\n\nWendy Taylor has two distinct strands to her work: large abstract pieces that appear to be in precarious balance, and drawings and sculptures of animals, anatomically correct and realised in minute detail. Her commissioned sculpture can be seen in public places throughout Britain. \n\nAnother example of her work, Three Dung Beetles 2000, can be seen in Murray Edwards College on Cambridge Sculpture Trail 3.\n"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fjester.jpg?alt=media"}],"index":"aas","info_url":["http://wendytaylorsculpture.co.uk/"],"location":[52.20433319027823,0.12524256472954676],"location_name":{"lang":"en","text":"Emmanuel College, St Andrew's Street"},"title":{"lang":"en","text":"Jester"},"type":10,"year":1994},"mother_and_child_2008":{"artist":{"lang":"en","text":"Sophie Dickens"},"desc":{"lang":"en","text":"This sculpture is more visible after dark. Photograph by Ellie Atkins.\n\nIn 2007 Sophie Dickens (b 1966) won the Founders' Award for sculpture at the Victoria and Albert Museum.  Her work is based on meticulous study of anatomy both human and animal. She creates armatures of metal rods and builds onto these both concave and convex wooden layers which create a dynamic feeling of bone, muscle and sinew."},"finish":{"lang":"en","text":"Carved Wood"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fmother_and_child.jpg?alt=media"}],"index":"aar","info_url":["http://www.sophiedickens.co.uk/"],"location":[52.20358101,0.123305004],"location_name":{"lang":"en","text":"First floor level on the exterior of the John Lewis Building on the corner of Downing Street"},"title":{"lang":"en","text":"Mother and Child"},"type":10,"year":2008},"natural_pearl":{"artist":{"lang":"en","text":"Nigel Hall"},"desc":{"lang":"en","text":"Natural Pearl, to quote Hall, is, like many of his works, \"an exploration of that queen of geometry, the ellipse. It is also an attempt to subvert the apparent weight of sculpture and using minimal resources, hint at volume. Its transparency allows the surroundings to become part of the work.\"\n\nHall has made several works using ‘pearl’ in the title, often referring to the gem being formed from a speck of grit in the shell.\n\nNigel Hall (b 1943) has travelled extensively with his sketchbook, drawing inspiration from the landscape. His sculptures refer obliquely to mountains, woodlands, shadows, and mass or voids, such as may be observed by a walker progressing through the terrain. Other sculptures by this artist are Southern Shade 2012 and The Now 1999 at the front of Churchill College on Trail 3. Another sculpture Bigger Bite 2010, can be seen at the Sidgwick Site on Trail 2."},"finish":{"lang":"en","text":"Corten steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fnatural_pearl.jpg?alt=media"}],"index":"aaj","info_url":["http://www.annelyjudafineart.co.uk/artists/nigel-hall"],"location":[52.20201732685809,0.11918058835771328],"location_name":{"lang":"en","text":"Pembroke College"},"title":{"lang":"en","text":"Natural Pearl"},"type":10,"year":2017},"remains_to_be_seen":{"artist":{"lang":"en","text":"Annie Cattrell"},"desc":{"lang":"en","text":"Accessible between 9.00 - 17.00 weekdays only.\n\nThis work focuses primarily on the visual ion trails produced within Wilson’s Cloud Chamber, a historically important scientific apparatus located in the Cavendish Museum.  A companion piece, Remains to be Seen 2, can be seen on the floor of the adjacent courtyard and comprises of marks sandblasted into the paving stones.\n\nAnnie Cattrell (b 1962) studied Fine Art at Glasgow School of Art before completing Masters degrees at the University of Ulster and at the Royal College of Art. Her practice is often informed by working with specialists in neuroscience, meteorology, engineering, psychiatry and the history of science. This cross-disciplinary approach has enabled her to learn about cutting edge research and in-depth information in these fields. She is particularly interested in the parallels and connections that can be drawn between art, science and the poetic."},"finish":{"lang":"en","text":"Cast tinted resin"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fremains_to_be_seen.jpg?alt=media"}],"index":"aaf","info_url":["http://www.rca.ac.uk/more/staff/annie-cattrell/"],"location":[52.2036665116908,0.11900856445458442],"location_name":{"lang":"en","text":"In the ceiling of an archway/passage between two buildings, New Museums Site."},"title":{"lang":"en","text":"Remains To Be Seen"},"type":10,"year":2019},"sailing_into_the_future_2008":{"artist":{"lang":"en","text":"Philip de Koning"},"desc":{"lang":"en","text":"This sculpture is situated in the college garden, entered through staircase G. It is essential to enquire at the Porters' Lodge, 01223 339100.\n\nPhilip de Koning is a Dutch sculptor who worked first as a painter.  As a sculptor he began to carve in stone and later he was drawn to “the beauty and magic” of stainless steel."},"finish":{"lang":"en","text":"Stainless steel and stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fsailing_into_the_future.jpg?alt=media"}],"index":"aka","info_url":["https://philipdekoningsculpteur.com"],"location":[52.20526502,0.104030985],"location_name":{"lang":"en","text":"Robinson College, Grange Road"},"title":{"lang":"en","text":"Sailing into the Future"},"type":10,"year":2008},"slate_work_south":{"artist":{"lang":"en","text":"Ackroyd and Harvey"},"desc":{"lang":"en","text":"Commissioned by the University of Cambridge and inspired by a black walnut tree in the Botanic Garden, this artwork makes reference to the New Museum Site as the original home to the Botanic Garden in the 18th century.  Black walnut trees feature in mythology and also in art, philosophy and science.  The work has the appearance of a graphite drawing that shows subtle tonalities that change with the movement of light on the Welsh slate surface.  Within the wall there are spaces to attract wildlife, including bats, bees and insects. These features are in keeping with the ecological and sustainable intent of the David Attenborough Building that houses the newly refurbished Museum of Zoology and the Cambridge Conservation Initiative. The slate is a waste product from the tiling industry.\n\nAnother piece by these artists, Slate Works East 2016, although partially obscured by the fire escape, can be seen on the David Attenborough Building, Corn Exchange Street. This work is inspired by the Fibonacci sequence discovered in the 13 th Century. The numbers in this sequence are seen throughout nature in the forms of many animals and plants and can also be observed in art and architecture."},"finish":{"lang":"en","text":"Welsh Slate"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fslate_work_south.jpg?alt=media"}],"index":"aam","info_url":["http://www.ackroydandharvey.com"],"location":[52.20298396423459,0.120616005733609],"location_name":{"lang":"en","text":"The David Attenborough Building, at the New Museum Entrance, Downing Street"},"title":{"lang":"en","text":"Slate Work South"},"type":10,"year":2016},"snowy_2012":{"artist":{"lang":"en","text":"Gary Webb*"},"desc":{"lang":"en","text":"Situated outside the Guildhall in the Market Place this sculpture commemorates a well known Cambridge character, Snowy Farr, who every Saturday collected money for children’s charities. He always wore a red uniform with live mice perched on the rim of a black top hat, and other creatures running round the basket of his bicycle.\n\nGary Webb (b 1973) lives and works in London.\n"},"finish":{"lang":"en","text":"Painted Metal"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fsnowy.jpg?alt=media"}],"index":"aab","info_url":["https://en.wikipedia.org/wiki/Gary_Webb_(artist)"],"location":[52.20523299649358,0.119454022496939],"location_name":{"lang":"en","text":"Market Square"},"title":{"lang":"en","text":"Snowy"},"type":10,"year":2012},"span":{"artist":{"lang":"en","text":"Phillip King"},"desc":{"lang":"en","text":"This sculpture is an early work by Phillip King (1934 -2021) who was in the forefront of sculptural developments in the 1960s, a time when the use of new materials allowed for experimentation.  King explored basic forms and the use of colour to up-date his sculpture which also resonated with his past memories.  Born in Tunis he was influenced by Islamic architecture, hence the use of colour.  Gaining many international awards and commissions he travelled and enjoyed embedding himself in foreign culture.  He was a former President of the Royal Academy.\nAnother sculpture by Phillip King,  Darwin 2011 can be seen at Christ’s College also on Trail 2."},"finish":{"lang":"en","text":"Painted Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fspan.jpg?alt=media"}],"index":"ata","info_url":["https://www.tate.org.uk/art/artists/phillip-king-1411"],"location":[52.20131156712336,0.10937792199483387],"location_name":{"lang":"en","text":"Sidgwick Site Faculty Buildings"},"title":{"lang":"en","text":"Span"},"type":10,"year":1967},"talos_1950":{"artist":{"lang":"en","text":"Michael Ayrton"},"desc":{"lang":"en","text":"Talos is the legendary guardian of Minoan Crete; he was the giant man of bronze who protected Europa in Crete. By depicting him without arms, Michael Ayrton (1921-1975) portrays the anger and bewilderment felt by many of the post-war generation British sculptors. This sculpture was erected on the completion of the Lion Yard and Fisher House in 1973."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Ftalos.jpeg?alt=media"}],"index":"aac","info_url":["http://www.artuk.org/discover/artists/ayrton-michael-19211975"],"location":[52.2048019990325,0.11971796862781],"location_name":{"lang":"en","text":"Guildhall Street"},"title":{"lang":"en","text":"Talos"},"type":10,"year":1950},"the_corpus_clock_2008":{"artist":{"lang":"en","text":"John Taylor & Matthew Lane Sanderson"},"desc":{"lang":"en","text":"This mechanical clock is driven by a mechanism in the shape of a grasshopper created by Matthew Lane Sanderson (b1973). The giant insect is a 'Chronophage', meaning a time eater. The time is shown by blue LED lights moving round the clock face.\n\nInscription: “Mundus transit et concupiscentia eius” (The world and its desires pass away).\n\nhttp://www.johnctaylor.com/"},"finish":{"lang":"en","text":"Gold plated stainless steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fcorpus_clock.jpg?alt=media"}],"index":"aae","info_url":["http://www.sanderson-sculpture.com/"],"location":[52.20377396,0.117717041],"location_name":{"lang":"en","text":"On the corner of Benet Street and King's Parade"},"title":{"lang":"en","text":"The Corpus Clock"},"type":10,"year":2008},"the_cross_of_migrants":{"artist":{"lang":"en","text":"Francesco Tuccio"},"desc":{"lang":"en","text":"Francesco Tuccio (carpenter of Lampedusa) used timbers from an abandoned refugee boat that came ashore in Lampedusa in 2016. The bent wooden cross, which was installed in 2017, serves as a poignant reminder of the human cost of the refugee and migration crisis in the Mediterranean, the frailty of the boats and the many deaths."},"finish":{"lang":"en","text":"Painted wood"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fthe_cross_of_migrants.jpg?alt=media"}],"index":"aah","info_url":["https://www.britishmuseum.org/collection/object/H_2015-8039-1"],"location":[52.2015677359277,0.11876709121582174],"location_name":{"lang":"en","text":"Located in the Pembroke College chapel"},"title":{"lang":"en","text":"The Cross of Migrants"},"type":10,"year":2015},"the_young_darwin_2009":{"artist":{"lang":"en","text":"Anthony Smith"},"desc":{"lang":"en","text":"This sculpture was commissioned for the 200th anniversary of the birth of Charles Darwin.\n\nAnthony Smith (b 1984) is a young scientist and self taught sculptor with a number of commissions including a double life-size bust of Darwin in the Sedgwick Museum in Cambridge.\n"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fthe_young_darwin.jpg?alt=media"}],"index":"aaw","info_url":["http://www.anthonysmithart.co.uk/"],"location":[52.20675398,0.12264099],"location_name":{"lang":"en","text":"Darwin Garden in New Court, Christ's College"},"title":{"lang":"en","text":"The Young Darwin"},"type":10,"year":2009},"tree_of_life:_encounter":{"artist":{"lang":"en","text":"Helaine Blumenfeld"},"desc":{"lang":"en","text":"Made from a 42 ton block of Italian marble, the completed sculpture weighs 5250 kg and is over 3 metres tall.\nEntitled 'Tree of Life: Encounter' the work was inspired by the inscription of the foundation stone of the new Woolf Institute building: 'A threefold cord is not quickly broken' [Ecclesastes 4.2].\n\nOther works by this artist can be seen on Trail 1, Chauvinist, and on Trail 2 Flame at Clare Hall and Homage at Clare College."},"finish":{"lang":"en","text":"Italian marble"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Ftree_of_life.jpg?alt=media"}],"index":"aba","info_url":["https://www.helaineblumenfeld.com"],"location":[52.210723,0.11136],"location_name":{"lang":"en","text":"Woolf Institute, Madingley Road"},"title":{"lang":"en","text":"Tree of Life: Encounter"},"type":10},"triangulum":{"artist":{"lang":"en","text":"John Sydney Carter"},"desc":{"lang":"en","text":"'The inspiration comes from the three galaxies and pays homage to the astronomer Frederick Herschel and his son John Herschel, also the three main groups at Clare Hall: students, visiting fellows and life members.'\n\nCarter (b 1936) is a designer, painter and sculptor, becoming a full-time artist in 1995. He was made a D. Lit at the University of Leicester where much of his work can be seen."},"finish":{"lang":"en","text":"Stainless Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Ftriangulum.jpg?alt=media"}],"index":"apa","info_url":["http://www.johnsydneycarter.com"],"location":[52.204104972012956,0.10561596890971305],"location_name":{"lang":"en","text":"Clare Hall, junction of Herschel Road and Grange Road"},"title":{"lang":"en","text":"Triangulum"},"type":10,"year":2016},"two_197677":{"artist":{"lang":"en","text":"Robert Adams"},"desc":{"lang":"en","text":"Robert Adams (1917-84) was interested in the link between art and architecture. In 1962 he represented Britain at the Venice Biennale.\n\nThis sculpture on the opposite side of the front lawn of Memorial Court is on loan from Roche Court’s New Arts Centre near Salisbury, one of the country’s leading collections of contemporary sculpture.\n\nLook at the Clare College Website for further information about the latest sculpture on loan from Roche Court, or enquire at the Porters’ Lodge: 01223 333261. Another sculpture by this artist may be seen at Churchill College, Trail 3.\n\nImage: Copyright New Arts Centre Roche Court\n\n\nhttp://www.clare.cam.ac.uk/\n\n\n"},"finish":{"lang":"en","text":"Stainless Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Ftwo.jpg?alt=media"}],"index":"aea","info_url":["https://www.tate.org.uk"],"location":[52.20531203784049,0.110847987234592],"location_name":{"lang":"en","text":"Clare College, Memorial Court"},"title":{"lang":"en","text":"Two"},"type":10,"year":1977},"untitled_2017":{"artist":{"lang":"en","text":"Richard Bray"},"desc":{"lang":"en","text":"This piece makes reference to the centre of Maple Three Piece in the Fellow’s garden of Jesus College by the same artist which was made from three sequential cross-cuts with the softer wood removed, giving the interlocking shape. This idea is repeated here, but in a single solid piece. The fluting is intended to produce a swirling movement. It is a site specific protected location for this sculpture.\n\nRichard Bray (b 1955) is based in Cambridge, has exhibited widely and has a number of public art commissions."},"finish":{"lang":"en","text":"Carved wood"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Funtitled_2017.jpeg?alt=media"}],"index":"aay","info_url":["http://richardbray.org"],"location":[52.20873,0.11898],"location_name":{"lang":"en","text":"On the wall of The Cambridge School of Visual and Performing Arts, Round Church Street"},"title":{"lang":"en","text":"Untitled"},"type":10,"year":2017},"zephyr":{"artist":{"lang":"en","text":"Nigel Hall"},"desc":{"lang":"en","text":"Zephyr is situated in the Fellows’ Garden, outside the Robert Cripps Gallery.  It is free to enter Magdalene College to see the sculpture as long as the college is open to the public that day.  It is essential to call at the Porters’ Lodge, Magdalene Street,  ahead of your visit; the Porter will be able to direct you to the Fellows’ Garden.  Please note that the College is closed  and therefore the sculpture will not be open to view during the exam period 28 April to 19 June 2026.\n\nOf the sculpture, Nigel Hall (born 1943) states: ‘In the Forum at Athens, stands the Tower of the Winds. Octagonal in structure, part weather vane, part clock and decorated with carved reliefs representing the eight winds. It gave me the title for the sculpture which delineates spaces and acknowledges their immaterial presence.  Similarly the invisible west wind can be manifested in, for example, the fluttering of a flag or the swaying of a tree.’\n\nFurther works by Nigel Hall can be seen at Pembroke College and the Sidgwick Site, both on Trail 2."},"finish":{"lang":"en","text":"Corten Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft2%2Fzephyr.jpeg?alt=media"}],"index":"aazb","info_url":["http://nigelhallartist.com"],"location":[52.2107669,0.1153387],"location_name":{"lang":"en","text":"Magdalene College"},"title":{"lang":"en","text":"Zephyr"},"type":10,"year":2023}},"south_cambridge":{"ariadne_wrapped":{"artist":{"lang":"en","text":"Gavin Turk"},"desc":{"lang":"en","text":"Situated in front of the classical facade of the station, the work recalls de Chirico’s ‘Ariadne’, 1913. The anonymous sleeping Ariadne, itself an ancient Roman version of a lost Greek sculpture of the second century BCE, was celebrated in antiquity and the Renaissance. Its image was transported to Britain by young travellers on their grand tour and for de Chirico the image became symbolic of his own many displacements from Greece to Germany, Italy, and then Paris.\nTravel and migration characterise both the location of Turk’s Ariadne Wrapped and the inherent transience of a university town like Cambridge.\n\nGavin Turk (b 1967) is a British artist from Guildford in Surrey, and is considered to be one of the Young British Artists. Turk's work deals with issues of authenticity and identity, engaged with modernist and avant-garde debates surrounding the 'myth' of the artist and the 'authorship' of a work of art."},"finish":{"lang":"en","text":"Painted Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fariadne_wrapped.jpg?alt=media"}],"index":"aaa","info_url":["https://gavinturk.com"],"location":[52.19435,0.13708],"location_name":{"lang":"en","text":"Cambridge Station Square"},"title":{"lang":"en","text":"Ariadne Wrapped"},"type":10,"year":2022},"basrelief":{"artist":{"lang":"en","text":"Mary Spencer Watson"},"desc":{"lang":"en","text":"This bas relief depicts the arms of Cambridge University and various alchemy symbols: (L to R) talc, iron, white lead, verdigris, precipitation.\n\nMary Spencer Watson (1913-2006) was the daughter of the painter George Spencer Watson. She studied at the Slade School of Fine Art, the Royal Academy Schools, and with the sculptor Ossip Zadkine in Paris. She received commissions from Sir Frederick Gibberd for works at Harlow New Town, including Chiron Teaching the Young Hero. She lived and worked in Purbeck, Dorset, close to the famous quarries."},"finish":{"lang":"en","text":"Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fbas_relief.jpg?alt=media"}],"index":"aau","info_url":["http://www.guardian.co.uk/news/2006/mar/18/guardianobituaries.artsobituaries"],"location":[52.19800704,0.12482699],"location_name":{"lang":"en","text":"On the West side of the Chemistry Faculty Building, Lensfield Road"},"title":{"lang":"en","text":"Bas-relief"},"type":10,"year":1958},"bits_of_the_world_2014":{"artist":{"lang":"en","text":"Jennifer Tee*"},"desc":{"lang":"en","text":"Bits of the world blow towards him and come apart on the wind 2014.\n\nGates to the viewing area are in Cherry Hinton Rd - open from 9.00 - 11.30 and from 14.00 - 17.00pm. Please call reception 07834 731530 to confirm access.\n\nA tiled wall ‘drawing’ with inlaid ‘floor pieces’ is a permanent artwork embedded within the Marque’s Podium space at the junction of Hills Road and Cherry Hinton Road.\n\nThe work draws on the city’s museum collections including the Cambridge University Herbarium and The Fitzwilliam Museum, and incorporates plants from Darwin’s collection of specimens from the Beagle voyage (1831-1836).\n\nJennifer Tee (b 1973) lives and works in The Netherlands.  Her latest work is concerned with creating objects that straddle the line between furniture pieces, interior objects, and artworks or sculptures."},"finish":{"lang":"en","text":"Ceramic tiles and brass"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fbits_of_the_world.jpg?alt=media"}],"index":"aah","info_url":["http://www.futurecity.co.uk/portfolio/the-marque"],"location":[52.1893119905144,0.136196035891771],"location_name":{"lang":"en","text":"The Marque,  junction Hills/Cherry Hinton Roads"},"title":{"lang":"en","text":"Bits of the World"},"type":10,"year":2014},"blackbird":{"artist":{"lang":"en","text":"Gordon Young"},"desc":{"lang":"en","text":""},"finish":{"lang":"en","text":"Standing Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fblack_bird.jpeg?alt=media"}],"index":"ana","location":[52.203151,0.1386882],"location_name":{"lang":"en","text":"Mill Road Cemetery"},"title":{"lang":"en","text":"Blackbird"},"type":10,"year":2014},"cambridge_rules":{"artist":{"lang":"en","text":"Neville Gabie & Alan Ward"},"desc":{"lang":"en","text":"Before 1848 there were no accepted rules for Association Football (soccer) with public schools each developing their own rules. When schoolboys came to study at Cambridge University this inconsistency created problems and ‘Cambridge Rules’ were drawn up. Neville Gabie (b.1959) and Alan Ward have created this granite sculpture depicting the rules in different languages to reflect the international nature of football."},"finish":{"lang":"en","text":"Granite"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fcambridge_rules.jpg?alt=media"}],"index":"aea","info_url":["https://www.cambridgerules1848.com"],"location":[52.20245370148392,0.13082021873572103],"location_name":{"lang":"en","text":"Parker's Piece"},"title":{"lang":"en","text":"Cambridge Rules"},"type":10,"year":2018},"cedar":{"artist":{"lang":"en","text":"Ai Weiwei"},"desc":{"lang":"en","text":"Since 2009 Ai Weiwei has been making tree sculptures from the branches, roots and trunks of dead trees.\nThe trees are in stark contrast to living trees, reminding the viewer of the fragility, preciousness and inimitability of life.\nThe wood for this work came from a mature Blue Atlas cedar tree that had stood in the college grounds since at least 1852.\n\nAi Weiwei (b 1957) is an internationally acclaimed artist and activist.\n\nhttp://www.dow.cam.ac.uk"},"finish":{"lang":"en","text":"Cedar wood"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fcedar.jpg?alt=media"}],"index":"aca","info_url":["https://www.lissongallery.com/artists/ai-weiwei"],"location":[52.20118,0.12509],"location_name":{"lang":"en","text":"Heong Gallery, Downing College"},"title":{"lang":"en","text":"Cedar"},"type":10,"year":2022},"ceres_goddess_of_corn":{"artist":{"lang":"en","text":"William Bloye"},"desc":{"lang":"en","text":"This sculpture was commissioned by the flour merchants Spillers and originally sited outside their research laboratories in Station Road. It has been restored and placed in a new park off Station Road and behind Foster's Mill on the CB1 site.\n\nOriginally named Demeter after the Greek god of the harvest, it is now known by the name of the Roman equivalent - Ceres. Ceres was the goddess both of fertility of the earth and also of mother/child relationships. The statue originally stood on a sphere which is now missing.\n\nWilliam Bloye (1890-1975) studied and later taught at the Birmingham School of Art. He also studied stone-carving and letter cutting with Eric Gill around 1921. Gill remained an influence on his work. In 1925 Bloye was elected a member of the Birmingham Civic Society and became Birmingham's unofficial civic sculptor. He worked on many public commissions, including libraries, hospitals and the University and a blue plaque marks the site of his studio in Small Heath, Birmingham.\n\nhttp://www.moseleians.co.uk/william-bloye/\n"},"finish":{"lang":"en","text":"Cement finished in bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fceres.jpg?alt=media"}],"index":"aaf","info_url":["http://en.wikipedia.org/wiki/William_Bloye"],"location":[52.19336497597396,0.135638974606991],"location_name":{"lang":"en","text":"CB1, Mill Park (behind  Foster's Mill)"},"title":{"lang":"en","text":"Ceres - Goddess of Corn"},"type":10,"year":1962},"chauvinist_1990":{"artist":{"lang":"en","text":"Helaine Blumenfeld"},"desc":{"lang":"en","text":"This sculpture, commissioned by Gredley Property Developments can be found at the junction of Hills Road with Brooklands Avenue. \n\nHelaine Blumenfeld (b 1940) is an American sculptor, who works in a wide variety of materials, including marble, terracotta and bronze. There is an abstract and organic quality about her sculpture. She now lives near Cambridge and another of her sculptures, Flame 2004 at Clare Hall, Homage 2022 at Clare College and Tree of Life: Encounter 2018 at the Woolf Institute, all on Trail 2.\n\nOn the route to Homerton College there is a private collection of sculptures on Hills Road by the artist Bushra Fakhoury. Located outside Academy House is Dunamis while Danse Gwenedour is nearby at City House."},"finish":{"lang":"en","text":"Norwegian blue granite sculpture on brick base"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fchauvinist.jpg?alt=media"}],"index":"aag","info_url":["http://www.helaineblumenfeld.com/"],"location":[52.19226996,0.133625977],"location_name":{"lang":"en","text":"Hills Road/Brooklands Avenue"},"title":{"lang":"en","text":"Chauvinist"},"type":10,"year":1990},"construction_in_aluminium_1967":{"artist":{"lang":"en","text":"Kenneth Martin"},"desc":{"lang":"en","text":"Kenneth Martin (1905-1984) was an English painter and sculptor and a leading figure in constructed abstract art in Britain in the post-war period. He discovered new ways to invent and manipulate basic structural elements by using mathematical rules for sculptural constructed form. In this series of 'Oscillation' sculptures, he combined mathematical pendulum permutations and sequences, such as the Fibonacci sequence to form an oscillation, seen here in the graduated stacking of the bars. Clive King (1939-2015), design engineer and welder from the Department of Engineering worked with Kenneth Martin to build it."},"finish":{"lang":"en","text":"Aluminium on Portland stone base"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fconstruction_in_aluminium.jpg?alt=media"}],"index":"aas","info_url":["http://www.artcyclopedia.com/artists/martin_kenneth.html"],"location":[52.19876602,0.121627031],"location_name":{"lang":"en","text":"Trumpington Street, outside the Engineering Department"},"title":{"lang":"en","text":"Construction in Aluminium"},"type":10,"year":1967},"continental_drift":{"artist":{"lang":"en","text":"Troika"},"desc":{"lang":"en","text":"The work consists of a two-dimensional world map of over 10m projected onto the ceiling of the entrance to the cycle park at Cambridge station. The map continually shifts, stretches and rearranges itself. The continents glide in and out of focus, presenting ever changing versions of the world."},"finish":{"lang":"en","text":"Sculpture and Light Projection"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fcontinental_drift.jpg?alt=media"}],"index":"aab","info_url":["http://troika.uk.com"],"location":[52.19483,0.1376],"location_name":{"lang":"en","text":"Cambridge Station Cycle Park"},"title":{"lang":"en","text":"Continental Drift"},"type":10,"year":2016},"crow":{"artist":{"lang":"en","text":"Gordon Young"},"desc":{"lang":"en","text":""},"finish":{"lang":"en","text":"Standing Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fcrow.jpeg?alt=media"}],"index":"aja","location":[52.2033117,0.137028],"location_name":{"lang":"en","text":"Mill Road Cemetery"},"title":{"lang":"en","text":"Crow"},"type":10,"year":2014},"crystalline_design_1992":{"artist":{"lang":"en","text":"Eric Sorenson (architect)"},"desc":{"lang":"en","text":"The glass refers to the building's use.\n\nOriginally intended as the background to a bronze motif, this panel of blue and clear glass fragments is an interesting feature in its own right.  An architect, Eric Sorenson (b 1922) is well known in his native Denmark."},"finish":{"lang":"en","text":"Glass"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fcrystalline_design.jpg?alt=media"}],"index":"aap","info_url":["http://www.ccdc.cam.ac.uk/"],"location":[52.19767604,0.126767987],"location_name":{"lang":"en","text":"Union Road, Cambridge Crystallographic Data Centre"},"title":{"lang":"en","text":"Crystalline design"},"type":10,"year":1992},"divided_circle_1969":{"artist":{"lang":"en","text":"Barbara Hepworth"},"desc":{"lang":"en","text":"This sculpture is sited in Downing College behind the Heong Art Gallery.\n\nThis is one of three bronze sculptures by Barbara Hepworth (1903-1975) to be seen in the grounds of Cambridge Colleges. Four Square Walk Through 1966 is in Churchill College and Ascending Form 1958 is in Murray Edwards College. Both are included in Cambridge Sculpture Trail 3. Barbara Hepworth is remembered as an internationally renowned artist and a major influence in the development of modern sculpture.\n\nhttps://www.dow.cam.ac.uk/cultural-life/heong-gallery"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fdivided_circle.jpg?alt=media"}],"index":"aba","info_url":["https://barbarahepworth.org.uk"],"location":[52.2011,0.12478],"location_name":{"lang":"en","text":"Downing College, Regent Street"},"title":{"lang":"en","text":"Divided Circle"},"type":10,"year":1969},"dove":{"artist":{"lang":"en","text":"Gordon Young"},"desc":{"lang":"en","text":""},"finish":{"lang":"en","text":"Wooden bench"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fdove.jpeg?alt=media"}],"index":"aia","location":[52.2026431,0.1370936],"location_name":{"lang":"en","text":"Mill Road Cemetery"},"title":{"lang":"en","text":"Dove"},"type":10,"year":2014},"fitzwilliam_museum":{"artist":{"lang":"en","text":""},"desc":{"lang":"en","text":"Halfway through the walk lies the Fitzwilliam Museum.\n\nModern and contemporary sculpture is often shown on the lawn in front of the Fitzwilliam Museum and there are several examples of contemporary sculpture within the galleries. Entrance is free."},"finish":{"lang":"en","text":""},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Ffitzwilliam.jpeg?alt=media"}],"index":"aat","info_url":["http://www.fitzmuseum.cam.ac.uk/"],"location":[52.199712,0.120677026],"location_name":{"lang":"en","text":"Fitzwilliam Museum, Trumpington Street"},"title":{"lang":"en","text":"The Fitzwilliam Museum"},"type":10},"flow":{"artist":{"lang":"en","text":"Simon Tegala"},"desc":{"lang":"en","text":"Simon Tegala (b.1973) was commissioned by Cambridge University to create Flow which is located in front of the James Dyson Building. The steel sculpture contains an electronic screen which presents an unfolding text over a long period of time. Inspired by the beat pattern of a bee’s wings, the form of this sculpture contains elements of a turbine blade and is also reminiscent of a knapped flint tool. The text is a reflection of Tegala’s journey through the world of engineering since working on the commission."},"finish":{"lang":"en","text":"Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fflow.jpg?alt=media"}],"index":"aar","info_url":["https://tegala.co.uk/"],"location":[52.19759,0.12137],"location_name":{"lang":"en","text":"James Dyson Building, Fen Causeway"},"title":{"lang":"en","text":"Flow"},"type":10,"year":2018},"goldfinch":{"artist":{"lang":"en","text":"Gordon Young"},"desc":{"lang":"en","text":""},"finish":{"lang":"en","text":"Standing Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fgold_finch.jpeg?alt=media"}],"index":"aoa","location":[52.2020952,0.1374274],"location_name":{"lang":"en","text":"Mill Road Cemetery"},"title":{"lang":"en","text":"Goldfinch"},"type":10,"year":2014},"head_of_robert_falcon_scott_1934":{"artist":{"lang":"en","text":"Lady Kathleen Scott"},"desc":{"lang":"en","text":"Seen above the main door, this bust of Scott of the Antarctic was commissioned by the building's architect, Sir Herbert Baker.\n\nLady Kathleen Scott (1878-1947) attended the Slade School of Fine Art, London, and worked for a time in Paris where she was befriended by Rodin. She sculpted at least two statues of her first husband, the Antarctic explorer Robert Falcon Scott - one is now in London and the other in Christchurch, New Zealand."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fhead_of_robert_falcon_scott.jpg?alt=media"}],"index":"aawb","info_url":["http://en.wikipedia.org/wiki/Kathleen_Scott"],"location":[52.19841398,0.126226014],"location_name":{"lang":"en","text":"Scott Polar Research Institute, Lensfield Road"},"title":{"lang":"en","text":"Head of Robert Falcon Scott"},"type":10,"year":1934},"house_sparrow":{"artist":{"lang":"en","text":"Gordon Young"},"desc":{"lang":"en","text":""},"finish":{"lang":"en","text":"Standing Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fhouse_sparrow.jpeg?alt=media"}],"index":"ama","location":[52.2042139,0.1382471],"location_name":{"lang":"en","text":"Mill Road Cemetery"},"title":{"lang":"en","text":"House Sparrow"},"type":10,"year":2014},"husky_dog_memorial":{"artist":{"lang":"en","text":"David Cemmick"},"desc":{"lang":"en","text":"Situated on the forecourt of the entrance to the Scott Polar Institute is a husky dog sculpture, a memorial to all the sledge dogs that served the British Antarctic Survey and made possible the exploration of Antarctica on the ground.  A bronze plaque shows the team names and is in memory of the 1,204 dogs that worked from 1945 - 1993. David Cemmick (b1955) has travelled widely on field trips as an illustrative artist with an interest in plants and a respect for the animal world. In this work he has incorporated the features of several husky dogs and worked a slightly larger than life husky to make a visual statement.\n"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fhusky_dog.jpg?alt=media"}],"index":"aawa","info_url":["http://www.davidcemmickart.co.uk"],"location":[52.19852596521378,0.126116964966059],"location_name":{"lang":"en","text":"Scott Polar Institute, Lensfield Road"},"title":{"lang":"en","text":"Husky Dog Memorial"},"type":10,"year":2009},"im_laughing_at_clouds_2015":{"artist":{"lang":"en","text":"Michael Pinsky*"},"desc":{"lang":"en","text":"A permanent installation for Anglia Ruskin University’s new Health Building, located in the courtyard of the new development. The work is accessible from 9:00 - 19:00 hours on weekdays.  \n\nMichael Pinsky (b1967) is a British visual artist noted  internationally for his public art and its relevance within the public realm.\n\nThis installation is intriguing in its invitation to the viewer to participate through touch. Nine columns house sensors producing light and sound in response to the heartbeat of the individual holding the column. Children from Brunswick Nursery School, located opposite, were recorded for the piece. Viewers are invited to hold the steel panels on the columns with both hands for the children’s voices to synchronise with their heartbeat. Once the person releases their hands the lamppost will carry on singing and emitting light.\n\nSituated near Anglia Ruskin’s Music Therapy course, the Faculty of Health, Social Care and Education, and the Faculty of Medical Science, this work is truly site specific, relating to health, society, music and childhood.\n"},"finish":{"lang":"en","text":"Steel, aluminium, acrylic, LEDs"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Flaughing_at_clouds.jpg?alt=media"}],"index":"ara","info_url":["http://www.michaelpinsky.com/"],"location":[52.20672598108649,0.137789016589522],"location_name":{"lang":"en","text":"Anglia Ruskin University, Young Street"},"title":{"lang":"en","text":"I'm Laughing at Clouds"},"type":10,"year":2015},"inukshgb_meaning_cairn_in_the_shape_of_a_man__installed_1979":{"artist":{"lang":"en","text":"Unknown Sculptor(s)"},"desc":{"lang":"en","text":"'Inukshuk', meaning 'Cairn in the shape of a man', was built by Inuit to guide caribou and comes from Baffin Island, Canada. It was installed in 1979."},"finish":{"lang":"en","text":"Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Finukshuk.jpg?alt=media"}],"index":"aav","info_url":["http://www.spri.cam.ac.uk/"],"location":[52.19820603,0.125930971],"location_name":{"lang":"en","text":"Scott Polar Research Institute, Lensfield Road"},"title":{"lang":"en","text":" 'Inukshuk' "},"type":10,"year":1979},"ketts_oak_19623":{"artist":{"lang":"en","text":"Willi Soukop"},"desc":{"lang":"en","text":"Kett's Oak, Norfolk is where in 1549 the rebel Robert Kett met with his followers and began an abortive attempt to seize the city of Norwich from the Crown.\n\nWilli Soukop R.A. (1907-1995) was born in Vienna and apprenticed to an engineer. He later studied at the Vienna Academy of Fine Arts. He moved to England in 1934 and taught at Dartington Hall School, Devon. He moved to London in 1945 and taught at various art schools including Chelsea (1947-72). He was an early teacher of Elizabeth Frink.\n\nSoukop exhibited regularly at the Royal Academy from 1935 onwards. His work is in several collections, including Owl (1963) Tate Gallery and Donkey (1935) Harlow New Town Sculpture Trail and two pieces on the exterior of the Brynmor Jones Library at the University of Hull, more commonly known as the Philip Larkin Library."},"finish":{"lang":"en","text":"Sandstone bas-relief"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fketts_oak.jpg?alt=media"}],"index":"aan","info_url":["http://en.wikipedia.org/wiki/Willi%20Soukop"],"location":[52.19490197,0.131715992],"location_name":{"lang":"en","text":"On the wall of an office block, Kett House, on the corner of Station Road and Hills Road"},"title":{"lang":"en","text":"Kett's Oak"},"type":10,"year":1963},"locking_piece":{"artist":{"lang":"en","text":"Henry Moore"},"desc":{"lang":"en","text":"Please note that it is essential to enquire at the Porters' Lodge (01223 747111) before visiting.\n\nHenry Moore (1898-1986) made numerous sculptures inspired by natural objects, including a series in which he explored the idea of interlocking forms. As art critic William Packer once noted: 'A joint, a swivel, a bearing, whether natural or man-made, was always a stimulus and fascination to Moore. ...There is always the sense of one form working with another, one within another, opening, penetrating, hollowing out. Locking Piece is rich in all such associations and suggestions, formal quite as much as imaginative. It has the massive monumentality of a mill, fraught with that sense of the imminent, heavy horizontal turn. It has the domed form of a skull that seems to clip and hinge together, jaw and cranium.'\n\nHomerton College is very grateful for this long term loan from the Henry Moore Foundation. This loan of Locking Piece continues a link between Homerton and Henry Moore, which began through sculptor Betty Rea, member of the Art Department 1949-64, and Principal Beryl Paston Brown (1961-71), both good friends of the artist himself.\n\nOther pieces by Henry Moore are Falling Warrior at Clare College and Figures in a Shelter, Pembroke College, both on Trail 2."},"finish":{"lang":"en","text":"Fiberglass"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Flocking_piece.jpg?alt=media"}],"index":"aai","info_url":["http://henry-moore.org/"],"location":[52.18528531728228,0.13682330411222665],"location_name":{"lang":"en","text":"Homerton College"},"title":{"lang":"en","text":"Locking Piece"},"type":10,"year":1970},"made_to_measure":{"artist":{"lang":"en","text":"Harry Gray"},"desc":{"lang":"en","text":"Commissioned by Homerton College and Hill Residential, 'Made to Measure', is a large bronze set of measuring callipers supported by Portland stone from the Dorset coast on one side and Ancaster Weatherbed from Lincolnshire on the other side. Sited in front of the old Rattee and Kett drawing office, the sculpture is a replica of the callipers that Harry Gray was asked to make as an apprentice stone carver at Rattee and Kett in 1988. There is a second bronze sculpture by the artist, 'Setting Out', at the far end of Homerton Gardens site by the railway line. Further works by the artist can be found on Trail 2, Niche Statue (Harry Gray and Will Hill) and Ex Libris (Harry Gray)"},"finish":{"lang":"en","text":"Bronze, Portland Stone, Ancaster limestone and York stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fmade_to_measure.jpg?alt=media"}],"index":"aam","info_url":["http://www.harrygray.co.uk"],"location":[52.18632765602377,0.13351596426218748],"location_name":{"lang":"en","text":"Homerton Gardens, Harrison Drive, off Hills Road"},"title":{"lang":"en","text":"Made to Measure"},"type":10,"year":2018},"matter_in_grey":{"artist":{"lang":"en","text":"Jacob van der Beugel"},"desc":{"lang":"en","text":"Jacob van der Beugel (b.1978) was commissioned by the Cambridge University Department of Chemistry to create a new work for the Chemistry of Health building. Located at the main entrance to this new building, it comprises a 10m long series of 240 hand made aggregate panels that depict the progression of neurodegenerative illness. The artist has work in the Devonshire Collection at Chatsworth House, the Victoria and Albert Museum and the University of York."},"finish":{"lang":"en","text":"Concrete Aggregate"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fmatter_in_grey.jpg?alt=media"}],"index":"aaq","info_url":["http://www.jvdb-ceramics.com"],"location":[52.19746,0.12636],"location_name":{"lang":"en","text":"Union Road, Chemistry of Health Building"},"title":{"lang":"en","text":"Matter in Grey"},"type":10,"year":2018},"moonstone_arrows_and_obelisk_1990s":{"artist":{"lang":"en","text":"Peter Logan"},"desc":{"lang":"en","text":"Peter Logan (b 1943) has constructed kinetic sculptures since 1965 - his early pieces powered by electricity.  Since 1978 he has worked on outdoor sculptures using wind power - the character, direction and strength of the wind determining movement."},"finish":{"lang":"en","text":"Stainless steel kinetic mobile"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fmoonstone.jpg?alt=media"}],"index":"aqa","info_url":["http://www.peterlogan.net"],"location":[52.20628501,0.13508996],"location_name":{"lang":"en","text":"Grafton Centre, East Road"},"title":{"lang":"en","text":"Moonstone, Arrows and Obelisk"},"type":10,"year":1990},"playful_seating_2014":{"artist":{"lang":"en","text":"James Hopkins*"},"desc":{"lang":"en","text":"British artist James Hopkins (b. 1976) lives and works in Guernsey and London. His work is known for its transformation of everyday objects, converting them into altogether different items and nudging them towards an ‘impossible’ state that produces incredulity in those who behold them.\n\nThe solid cast bronze benches are placed around a mirror finished stainless steel cylinder set in a landscape. The mirror transforms the distorted benches into the perfect image of two domestic/school chairs. The surrounding amphitheatre completes the artwork as a playful space for residents and visitors that pays homage to the site’s history as a school.\n"},"finish":{"lang":"en","text":"Bronze & polished metal"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fplayful_seating.jpg?alt=media"}],"index":"aua","info_url":["http://www.jameshopkinsworks.com/"],"location":[52.2098889760673,0.135408975183964],"location_name":{"lang":"en","text":"Riverside, near the river Cam"},"title":{"lang":"en","text":"Playful Seating"},"type":10,"year":2014},"reflective_editor_2011":{"artist":{"lang":"en","text":"Douglas Allsop*"},"desc":{"lang":"en","text":"Situated outside the Microsoft Building in Station Road and standing 3.75 meters high is one of two sculptures by Douglas Allsop ( b 1943).\nThe highly polished surface reflects the street scene and frames the view to and from the railway station.  It is paired with a similar piece by the same sculptor on the other side of the road.  Reflective Editor is the first major UK public art commission for this sculptor."},"finish":{"lang":"en","text":"Black polished granite"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Freflective_editor.jpeg?alt=media"}],"index":"aad","info_url":["http://www.barthacontemporary.com/artist/douglas-allsop/"],"location":[52.19462402164936,0.1344970241189],"location_name":{"lang":"en","text":" Station Road, outside the Microsoft Building"},"title":{"lang":"en","text":"Reflective Editor"},"type":10,"year":2011},"river_severn_2011":{"artist":{"lang":"en","text":"Issam Kourbaj with Richard Bray"},"desc":{"lang":"en","text":"Issam Kourbaj was born in Syria and comes from a fine arts, architectural and theatre design background. He trained in Damascus, Leningrad, and London. He now lives in Cambridge and was Artist in Residence and a Bye-Fellow at Christ's College (2007-2011), where he is now a Lector in Art.\n\nRichard Bray (b 1955) studied Photographic Arts at the University of Westminster and a post graduate degree from NUA in Fine Art. He retired from a long teaching career at CSVPA and makes sculptures in wood, often very large, and drawings. Both are concerned with rhythmic systems of units and marks that are concerned with perception and lines of sight.\n\nhttp://www.richardbray.org/cv.html"},"finish":{"lang":"en","text":"Glass"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Friver_severn.jpg?alt=media"}],"index":"asa","info_url":["http://www.issamkourbaj.co.uk/"],"location":[52.20756501,0.136049017],"location_name":{"lang":"en","text":"Marino House, Severn Place, off East Road"},"title":{"lang":"en","text":"River Severn"},"type":10,"year":2011},"robin":{"artist":{"lang":"en","text":"Gordon Young"},"desc":{"lang":"en","text":""},"finish":{"lang":"en","text":"Standing Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Frobin.jpeg?alt=media"}],"index":"ala","location":[52.2034615,0.1377433],"location_name":{"lang":"en","text":"Mill Road Cemetery"},"title":{"lang":"en","text":"Robin"},"type":10,"year":2014},"setting_out":{"artist":{"lang":"en","text":"Harry Gray"},"desc":{"lang":"en","text":"Commissioned by Homerton College and Hill Residential. 'Setting Out' is a monumental drawing compass cast in bronze and frozen in the act of drawing out a spiral of York Stone.\nThe work celebrates the history of the area which was the home of Rattee and Kett Stoneworks where Harry Gray received his apprenticeship as a stone carver. There is a second sculpture by the artist, 'Made to Measure', a bronze set of measurement callipers, in front of the old Rattee and Kett drawing office.\n\nFurther works by the artist can be found on Trail 2, Niche Statue (Harry Gray and Will Hill) and Ex Libris (Harry Gray)."},"finish":{"lang":"en","text":"Bronze, York Stone and Corten Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fsetting_out.jpg?alt=media"}],"index":"aal","info_url":["http://www.harrygray.co.uk"],"location":[52.18538225463541,0.1321493787690997],"location_name":{"lang":"en","text":"Homerton Gardens, Harrison Drive, off Hills Road"},"title":{"lang":"en","text":"Setting Out"},"type":10,"year":2017},"song_thrush":{"artist":{"lang":"en","text":"Gordon Young"},"desc":{"lang":"en","text":"Scattered throughout this Grade II listed cemetery are seven pieces of art by Gordon Young, six on the subject of bird song. This detour down Mill Road can form part of a separate visit.  Each sculpture provides a phonetic rendition of one of the birds that you can hear in the cemetery and a poem or verse about that bird. The sculptures are made of different types of stone, each one with its own history. There are perching places for birds and, at the top of each, a groove to fill with water for the birds to drink.  Dove is a bench made from the tree that had been outside Holy Trinity Church in Cambridge city centre, which had to be cut down because it was too close to the War Memorial shelter. Holy Trinity used the Mill Road Cemetery, as did other churches in central Cambridge."},"finish":{"lang":"en","text":"Standing Stone"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fsong_thrush.jpeg?alt=media"}],"index":"aha","info_url":["http://www.gordonyoung.net/"],"location":[52.2023435,0.1366078],"location_name":{"lang":"en","text":"Mill Road Cemetery"},"title":{"lang":"en","text":"Song Thrush"},"type":10,"year":2014},"stretching_figure":{"artist":{"lang":"en","text":"Betty Rea"},"desc":{"lang":"en","text":"The sculpture has been temporarily removed and awaits restoration.\n\nPlease note that it is essential to enquire at the Porters’ Lodge (01223 747111) before visiting. Betty Rea (1904-1965) taught sculpture at Homerton College between 1949 and 1964. She was passionate about arts education, and was also heavily involved with international socialism. Her sculptures were based on the human figure, demonstrating sensitivity to movements and balance. She was particularly skilled at expressing the diverse emotions, activities, and grace of youth, something which is evident in Stretching Figure.  Betty Rea’s work can be found in many locations across Cambridge. Another work by the same artist, The Swimmers, can be seen outside Parkside Swimming Pool on Trail 1. Her archive is held at the Henry Moore Institute"},"finish":{"lang":"en","text":"Bronzed Resin"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fstretching_figure.jpg?alt=media"}],"index":"aak","info_url":["https://www.henry-moore.org/archives-and-library/archive-of-sculptors-papers/archive-collections/betty-rea"],"location":[52.18608640425845,0.13677250668160923],"location_name":{"lang":"en","text":"Homerton College"},"title":{"lang":"en","text":"Stretching Figure"},"type":10,"year":1959},"the_antarctic_monument_2011":{"artist":{"lang":"en","text":"Oliver Barratt"},"desc":{"lang":"en","text":"Inscribed 'For those who lost their lives in the Antarctic in pursuit of science to benefit us all'.\n\nOliver Barratt (b 1962) is a leading British sculptor, who has exhibited widely in the UK and abroad. He is particularly well-known for the Everest Monument, situated one mile up the mountain from Base Camp, commemorating those who have lost their lives attempting to climb Everest. Barratt's explanation of the significance of his design for the Antarctic Monument is that '…….the living and the dead are interdependent. The living depend on the dead for their understanding and appreciation of the world'."},"finish":{"lang":"en","text":"Oak"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fthe_antarctic_monument.jpg?alt=media"}],"index":"aay","info_url":["http://www.antarctic-monument.org/"],"location":[52.19846503,0.12639801],"location_name":{"lang":"en","text":"Scott Polar Research Institute, Lensfield Road"},"title":{"lang":"en","text":"The Antarctic Monument"},"type":10,"year":2011},"the_bardwell_sentence_2014":{"artist":{"lang":"en","text":"Lucy Skaer*"},"desc":{"lang":"en","text":"Lucy Skaer was born in Cambridge in 1975 and currently lives and works in Glasgow and London. She has exhibited sculptures, films, paintings, and drawings internationally, her work often depicting relationships.\n\nThis artwork takes the form of a 100m ‘sentence’, winding its way through the Cambridge Riverside public realm to form a story of this site, its history and surroundings. ‘The Barnwell Sentence’ is made up of imprints from a domestic chair,  together with sculptures and images including a life-sized blue whale skeleton, carp fish, strawberries, and school blazers."},"finish":{"lang":"en","text":"Atlantic lava, Belgian fossil stone, glass, bronze and brass"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fthe_bardwell_sentence.jpg?alt=media"}],"index":"ata","info_url":["http://en.wikipedia.org/wiki/Lucy_Skaer"],"location":[52.20844896510243,0.135917002335191],"location_name":{"lang":"en","text":"Kingsley Walk entrance to Riverside off Newmarket Road."},"title":{"lang":"en","text":"The Barnwell Sentence"},"type":10,"year":2014},"the_diver_1990":{"artist":{"lang":"en","text":"Esther Melamed"},"desc":{"lang":"en","text":"Esther Melamed (b 1949) is a Cambridge-based sculptor who believes that sculpture needs to be touched as well as seen for its impact to be fully appreciated. Movement and the expressions of emotion present in the human form are important to her, whether she is creating figurative or abstract work."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fthe_diver.jpg?alt=media"}],"index":"afa","info_url":["http://www.esthermelamed.co.uk/"],"location":[52.20136299,0.130390981],"location_name":{"lang":"en","text":"Parkside Swimming Pool - on the left inside main entrance"},"title":{"lang":"en","text":"The Diver"},"type":10,"year":1990},"the_swimmers_1966":{"artist":{"lang":"en","text":"Betty Rea (completed after her death by John Mills)"},"desc":{"lang":"en","text":"Betty Rea (1904-1965) was involved in international socialism and was passionate about the welfare of children. For many years she taught sculpture at Homerton College, Cambridge, and her work can be found in many Local Education Authority buildings, Teacher Training colleges and Homerton College Cambridge.  Her archive is held at the Henry Moore Institute.\n\nhttp://www.henry-moore.org/hmi"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fthe_swimmers.jpg?alt=media"}],"index":"aga","info_url":["https://en.wikipedia.org/wiki/Betty_Rea"],"location":[52.20183397,0.131908022],"location_name":{"lang":"en","text":"Parkside Swimming Pool - Mill Road side"},"title":{"lang":"en","text":"The Swimmers"},"type":10,"year":1966},"timber_seating_2011":{"artist":{"lang":"en","text":"Jim Partridge and Liz Walmsley"},"desc":{"lang":"en","text":" Curved seven metre long timber bench, commissioned by Ridgeons, the building supply firm, to commemorate their centenary. It is situated in a small garden adjoining the Microsoft Building, and marks the place (close to the railway sidings) where the first Ridgeons office was located. The quotation around the edging of the flower bed reads ”The builders of Cambridge were kind to me, giving their orders”.\n\nThe artists, Jim Partridge and Liz Walmsley, have worked together designing and making furniture and other functional woodwork for over 22 years. Their work ranges from the small and domestic to monumental outdoor pieces."},"finish":{"lang":"en","text":"Timber"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Ftimber_seating.jpg?alt=media"}],"index":"aac","info_url":["http://www.jplw.co.uk/Welcome.html"],"location":[52.19535098411143,0.134941013529897],"location_name":{"lang":"en","text":"Tenison Road, near the Microsoft building"},"title":{"lang":"en","text":"Timber Seating"},"type":10,"year":2011},"two_elements_uniting_to_form_a_contract_2005":{"artist":{"lang":"en","text":"Colin Rose"},"desc":{"lang":"en","text":"Colin Rose (b 1950) often uses trees as sites in which to place his sculpture. Landscape and harmony with the elements are very important to him.\n"},"finish":{"lang":"en","text":"Stainless steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Ftwo_elements.jpg?alt=media"}],"index":"apa","info_url":["http://www.colinrose.co.uk/"],"location":[52.20364597,0.132116983],"location_name":{"lang":"en","text":"County Court Building, East Road"},"title":{"lang":"en","text":"Two Elements Uniting to Form a Contract"},"type":10,"year":2006},"unnamed_sculpture":{"artist":{"lang":"en","text":"Geoffrey Clarke"},"desc":{"lang":"en","text":"Please note that it is essential to enquire at the Porters’ Lodge (01223 747111) before\n visiting.\n \nThis unnamed sculpture was created by Geoffrey Clarke (1924-2014), who is perhaps best known for his work for Coventry Cathedral. It was generously donated to Homerton College in 1961 by Dr Roger Pilkington, Chair of Trustees.\nCast in aluminium, using Clarke’s innovative method of creating moulds from polystyrene, the piece utilises technologies which were only recently available at the time of its creation."},"finish":{"lang":"en","text":"Aluminium"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Funnamed.jpeg?alt=media"}],"index":"aaj","info_url":["http://www.pangolinlondon.com/artists/geoffrey-clarke"],"location":[52.18544593473702,0.13731984448915568],"location_name":{"lang":"en","text":"Homerton College"},"title":{"lang":"en","text":"Unnamed Sculpture donated 1960"},"type":10},"wander_2014":{"artist":{"lang":"en","text":"Dryden Goodwin*"},"desc":{"lang":"en","text":"Goodwin has engraved 100 steel plates which are set into the pavement on both sides of the road near the Station Place bus stops at the railway station bus interchange.  The 123mm diameter plates depict some of the many people he encountered as he travelled round the city. Perhaps you will recognise a character or two amongst those you see while walking through the busy streets. Goodwin’s work is defined by looking and representing in portrait form via drawing, photography, video, film and soundtracks."},"finish":{"lang":"en","text":"Etched stainless steel "},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fwander.jpg?alt=media"}],"index":"aae","info_url":["http://www.drydengoodwin.com"],"location":[52.19331602565944,0.136435003951192],"location_name":{"lang":"en","text":"Station Place, set into the pavement"},"title":{"lang":"en","text":"Wander"},"type":10,"year":2014},"war_memorial_coming_home_1922":{"artist":{"lang":"en","text":"R. Tait McKenzie"},"desc":{"lang":"en","text":"Statue of a young soldier returning home, head turned back towards the Railway Station.\n\nR. Tait McKenzie (1867 - 1938) was born in Canada and trained as a doctor, serving in World War 1 as a Major in the Royal Army Medical Corps. He became a sculptor later in life, specialising in figures of athletes, and was a friend of the academics who commissioned the piece.\n\nThis sculpture previously stood in the middle of the road but was moved to its current position when the road was reconfigured in 2012.\n\nhttp://www.bbc.co.uk/news/uk-england-cambridgeshire-18969662\n\nhttp://www.archives.upenn.edu/faids/upt/upt50/mckenzie_rt.html"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fcoming_home.jpg?alt=media"}],"index":"aao","info_url":["http://www.roll-of-honour.com/cambridgeshire/cambridgecominghome.html"],"location":[52.195078626355986,0.13102953372958837],"location_name":{"lang":"en","text":"Hills Road, at the junction with Station Road"},"title":{"lang":"en","text":"War Memorial 'Coming Home'"},"type":10,"year":1922},"youth_1920":{"artist":{"lang":"en","text":"Lady Kathleen Scott"},"desc":{"lang":"en","text":"Inscribed at base 'Lux perpetua luceat eis' ( 'May perpetual light shine upon them').\nLady Kathleen Scott (1878-1947) attended the Slade School of Fine Art, London, and worked for a time in Paris where she was befriended by Rodin.  The model for 'Youth' was the younger brother of T.E. Lawrence - Lawrence of Arabia.\n\nhttp://www.spri.cam.ac.uk/about/history/grounds.html"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft1%2Fyouth.jpg?alt=media"}],"index":"aax","info_url":["http://en.wikipedia.org/wiki/Kathleen_Scott"],"location":[52.19845296,0.126305977],"location_name":{"lang":"en","text":"Scott Polar Research Institute, Lensfield Road"},"title":{"lang":"en","text":"Youth"},"type":10,"year":1920}},"west_cambridge":{"ascending_form_gloria_1958":{"artist":{"lang":"en","text":"Barbara Hepworth"},"desc":{"lang":"en","text":"Barbara Hepworth (1903-1975) was inspired by music to produce this work following her friendship with the composer Priaulx Rainier. Hepworth was the first sculptor noted for piercing her work to create a hole, resulting in a positive and a negative space in the form. A garden museum of her work may be visited in St Ives, Cornwall where she lived amongst a group of artists, her work often relating to the coast and landscape.\n\nAnother sculpture by the same artist, Four Square Walk Through is at Churchill College, on this trail. Also, Divided Circle 1969 is at Downing College on Trail 1."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fascending_form.jpg?alt=media"}],"index":"aas","info_url":["https://barbarahepworth.org.uk"],"location":[52.21466112196299,0.10815395999998145],"location_name":{"lang":"en","text":"Murray Edwards College"},"title":{"lang":"en","text":"Ascending Form (Gloria)"},"type":10,"year":1958},"broken_butterflies":{"artist":{"lang":"en","text":"Thomas Kiesewetter"},"desc":{"lang":"en","text":"This sculpture elegantly suggests an abstract figurative form. Fixing screws are left visible, as are welding seams. The sculpture brings to mind the fragility of nature and the possibility of repair. Every viewing position of this constructionist work can be explored, while the viewer may imagine a sense of movement when observing the open and closed volumes from the interior to the exterior of the piece.\n\nThomas Kiesewetter (German b 1963) lives and works in Berlin. He creates abstract sculptures from industrial materials, primarily sheet metal which he manipulates into curves and folds into satisfying forms, the use of a bold colour being important to him as a way to unify the form."},"finish":{"lang":"en","text":"Corten Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fbroken_butterflies.jpg?alt=media"}],"index":"aaj","info_url":["https://www.saatchigallery.com/artist/thomas_kiesewetter"],"location":[52.212266553105145,0.10112839918726298],"location_name":{"lang":"en","text":"Churchill College, Cowen Court area"},"title":{"lang":"en","text":"Broken Butterflies"},"type":10,"year":2011},"cow_says_moo":{"artist":{"lang":"en","text":"Nicola Hicks"},"desc":{"lang":"en","text":"Nicola Hicks (.1960) is well known for her animal sculptures and often uses straw and plaster in her work which once cast in bronze retain a characteristically rough texture.  'Cow Says Moo' appears to have fallen or been pushed over, while the title recalls a parent teaching  their child animal noises."},"finish":{"lang":"en","text":"Patinated Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fcow_says_moo.jpg?alt=media"}],"index":"aav","info_url":["https://www.flowersgallery.com/artists/48-nicola-hicks/"],"location":[52.213956,0.107335],"location_name":{"lang":"en","text":"Murray Edwards College"},"title":{"lang":"en","text":"Cow Says Moo"},"type":10,"year":1994},"creation_1991":{"artist":{"lang":"en","text":"John Robinson"},"desc":{"lang":"en","text":"“The square was the Chinese symbol for Earth. For the Zoroastrians the square symbolised the Earth as four winds”.\n\nJohn Robinson (1935-2007) was born of an Australian father and educated in the UK, lived in Australia at times in his life until settling in the UK at the age of 35 years with his young family. He was a self-taught sculptor whose work ranged from figurative to abstract, the latter being exemplified by the Universe Series of symbolic sculptures. These comprise over one hundred sculptures and tapestries that trace the pathway of time from the beginning to the present day. Each work is created from a form found in nature such as spiral, ovoid, circle and cone. His interests in art, archaeology and anthropology led to him co-founding the Bradshaw Foundation in 1992 following his study of rock art in North-western Australia where there is a distributed set called the Bradshaws. He was made Honorary Fellow of the University of Wales in recognition of the value of his sculpture and his collaboration with its Department of Mathematics. Another sculpture in the Universe Series, Pulse 1996, is sited at the Institute of Astronomy at Madingley Road and can be seen on open days as shown on their website."},"finish":{"lang":"en","text":"Stainless steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fcreation.jpg?alt=media"}],"index":"aba","info_url":["http://www.bradshawfoundation.com/jr/"],"location":[52.20944599,0.102803037],"location_name":{"lang":"en","text":"Isaac Newton Institute"},"title":{"lang":"en","text":"Creation"},"type":10,"year":1991},"crescent_moon_bull_1998":{"artist":{"lang":"en","text":"Christine Fox"},"desc":{"lang":"en","text":"Christine Fox (1922-2012), taught at CCAT, now the Anglia Ruskin University, Cambridge. She worked up until the end of her long life from her studio near to the city, using a wide range of materials. In this piece she worked the lead so we see the wood core exposed in places, giving an organic appearance. In addition to her love of the natural world, Fox was often inspired by mythology. There are many references to the crescent moon in ancient history including the Mesopotamian bull whose horns represented the crescent.\n\nAnother sculpture by this artist, Gathering of Owls 1V 1989, can be seen on Trail 3, at Murray Edwards College and Axe Carrier 1974, Clare Hall Trail 2.\n\nhttp://www.independent.co.uk/news/obituaries/christine-fox-acclaimed-sculptor-whose-work-explored-time-and-myth-7994786.html"},"finish":{"lang":"en","text":"Cherry clad with lead"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fcrescent_moon_bull.jpg?alt=media"}],"index":"aai","info_url":["https://www.independent.co.uk/news/obituaries/christine-fox-acclaimed-sculptor-whose-work-explored-time-and-myth-7994786.html"],"location":[52.21351297572255,0.101758986711502],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Crescent Moon Bull"},"type":10,"year":1998},"diagram_of_an_object_variation_second_state_1990":{"artist":{"lang":"en","text":"Dhruva Mistry"},"desc":{"lang":"en","text":"Dhruva Mistry (b 1957) was born and educated in India, returning in 1997 to live and work in Gujarat.  A British Council Scholarship to take a MA in sculpture at the Royal College of Art brought him to Britain. He was Artist in Residence at Kettle's Yard with a Fellowship at Churchill College (1984-1985). Hinduism, Buddhism, West Egyptian and Cycladic Art, together with European traditions of figurative sculpture, influence his work. Internationally shown in group exhibitions, his work is also held in public collections in U.K, Japan and India.\n\nMistry says of this work “it is a structured puzzle about how the eye sees the object and how the mind prefers to perceive it”."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fdiagram_of_an_object.jpg?alt=media"}],"index":"aal","info_url":["https://www.grosvenorgallery.com"],"location":[52.21405897289515,0.097471978515387],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Diagram of an Object, Variation (second state)"},"type":10,"year":1990},"dream_2002":{"artist":{"lang":"en","text":"Michael Dan Archer"},"desc":{"lang":"en","text":"Michael Dan Archer (b 1955) is noted for his use of the physicality of stone in relation to architecture and landscape. He created this work after a dream brought him inspiration.\n\nAnother sculpture by the same artist, To Boullée, is at Churchill College, on this trail. A third work by Michael Dan Archer, Gog and Magog  2003, cast iron and granite, can be seen outside Eastbrook, the Government Buildings, Shaftesbury Road on weekdays only.\n\nTo continue the walk to Murray Edwards College, Huntingdon Road. Leave via the green gate (exit only) onto Huntingdon Road."},"finish":{"lang":"en","text":"Chinese granite"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fdream.jpg?alt=media"}],"index":"aap","info_url":["http://www.archersculpture.co.uk/"],"location":[52.21633801,0.104444968],"location_name":{"lang":"en","text":"Trinity Hall, Wychfield site"},"title":{"lang":"en","text":"Dream"},"type":10,"year":2002},"festive_feeling_1988":{"artist":{"lang":"en","text":"Annie Collard"},"desc":{"lang":"en","text":"Entry to Murray Edwards College is via Huntingdon Road. Check in at the Porter’s Lodge and borrow a self-guided tour to over 40 artworks, including sculptures, from Europe’s largest collection of women artists. Please return the guide before leaving.\n\nThe sculpture can be viewed on the right from the main corridor but is not accessible from the outside.\n\nAnnie Collard (b 1946) says of this work, “…  the coils were inspired by the tension of an athlete about to spring away from the starting block”. Her aim was to create a delicate form from a hard and durable material. She has made larger-scale sculptures for corporate collections."},"finish":{"lang":"en","text":"Painted steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Ffestive_feeling.jpg?alt=media"}],"index":"aaq","info_url":["http://www.art.newhall.cam.ac.uk/"],"location":[52.21442702,0.108964993],"location_name":{"lang":"en","text":"Murray Edwards College"},"title":{"lang":"en","text":"Festive Feeling"},"type":10,"year":1988},"flight_1981":{"artist":{"lang":"en","text":"Peter Lyon"},"desc":{"lang":"en","text":"Peter Lyon (1926-2002) was a Fellow Commoner in the Arts at Churchill College 1979-1981.  This work was commissioned by the Roskill family to commemorate Captain Roskill, a Fellow of Churchill. In addition to sculpture Lyon also made jewellery and was a senior lecturer in jewellery design at Central St. Martins College of Art and Design."},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fflight.jpg?alt=media"}],"index":"aae","info_url":["https://artuk.org"],"location":[52.21228201,0.102736987],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Flight"},"type":10,"year":1981},"four_square_walk_through_1966":{"artist":{"lang":"en","text":"Barbara Hepworth"},"desc":{"lang":"en","text":"Barbara Hepworth (1903-1975) received academic and national honours, exhibited around the world and was made a Dame of the British Empire in 1965. She was part of the St. Ives group of artists and while in Paris, met Picasso, Brancusi and Mondrian. A commitment to abstract art led to her interest in geometric abstraction. Later she created models for casting in bronze, the sculptures growing in scale as can be seen at her garden museum in St Ives.\n\nAnother sculpture by Barbara Hepworth, Ascending Form (Gloria) at Murray Edwards College is on this Trail and Divided Circle 1969 by Barbara Hepworth is at Downing College on Trail 1"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Ffour_square_walk_through.jpg?alt=media"}],"index":"aag","info_url":["https://barbarahepworth.org.uk"],"location":[52.21293597,0.102216974],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Four Square Walk Through"},"type":10,"year":1966},"gathering_of_owls_iv_1989":{"artist":{"lang":"en","text":"Christine Fox"},"desc":{"lang":"en","text":"Christine Fox (1922-2012) chose to locate her sculpture on the site of the former aviary of the Darwin family. The piece is representative of Fox's use of organic materials to suit the nature of the subject and its environment. Ancient Welsh roofing slates were patinated and engraved with symbols of mazes and spirals to represent the importance of owls in antiquity and pre-Christian belief.\n\nOther sculptures by the artist, Crescent Moon Bull 1990, can be seen on Trail 3 at Churchill College and Axe Carrier 1974 at Clare Hall on Trail 2.\n\nhttp://www.christinefoxsculpture.com/\nhttp://www.independent.co.uk/news/obituaries/christine-fox-acclaimed-sculptor-whose-work-explored-time-and-myth-7994786.html\n"},"finish":{"lang":"en","text":"Painted engraved slate on aphrormosia"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fgathering_of_owls.jpg?alt=media"}],"index":"aau","info_url":["https://womensart.murrayedwards.cam.ac.uk"],"location":[52.21399804,0.107761016],"location_name":{"lang":"en","text":"Murray Edwards College"},"title":{"lang":"en","text":"Gathering of Owls IV"},"type":10,"year":1989},"gemini_1973":{"artist":{"lang":"en","text":"Denis Mitchell"},"desc":{"lang":"en","text":"Denis Mitchell (1912-1993) worked as a tin miner near Land's End when young and then again during the war, leading to his interest in hewing, carving and handling tools. After the war he became integral to the St Ives group of artists. He was Barbara Hepworth's chief assistant, later becoming a teacher until he gave up work to sculpt full time. He was a founder member of the Penwith Society of the Arts and he also founded Porthia Textile Prints."},"finish":{"lang":"en","text":"Marble"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fgemini.jpg?alt=media"}],"index":"aan","info_url":["http://www.independent.co.uk/news/people/obituary-denis-mitchell-1499773.html"],"location":[52.21376301,0.101795029],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Gemini"},"type":10,"year":1973},"genesis_1995":{"artist":{"lang":"en","text":"John Robinson"},"desc":{"lang":"en","text":"Tel: 01223 337548\n\nView sculptures from Clarkson Road.\n\nJohn Robinson\nThe Universe Series\nThree sculptures based on the Borromean Rings, an emblem of the Borromeo family of Renaissance Italy. Each sculpture has three interlocking shapes, no two of which are linked but which together form a structure that can not be taken apart. Robinson brings together art and mathematics.\n\nJohn Robinson is quoted below.\n\n“The never ending renewal of life”.  “….the rhombus is thought to be the Celtic fertility symbol… each rhombus is giving birth to a rhombus, as it is being born itself”."},"finish":{"lang":"en","text":"Stainless steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fgenesis.jpg?alt=media"}],"index":"aay","info_url":["http://www.bradshawfoundation.com/jr/"],"location":[52.20936997,0.103085004],"location_name":{"lang":"en","text":"Isaac Newton Institute"},"title":{"lang":"en","text":"Genesis"},"type":10,"year":1995},"improvisation_1988":{"artist":{"lang":"en","text":"Naomi Press"},"desc":{"lang":"en","text":"Naomi Press (b 1927) moved from Poland, her place of birth, to Zimbabwe when she was a child. She raised a family in Johannesburg and trained as a sculptor there. Her work is inspired by various influences during periods of her life, firstly her training as a ballet dancer. The fluid line and sensuous volumes of improvisation may suggest the poise and grace of a dancer.\n\nWhile noted for her large pieces in stainless steel, she enjoys experimenting and producing works in different materials. After arriving to live in the UK in 2001 she noted the red brick buildings of London and explored working with shaped \"London bricks\". More recently, intrigued by the international fashion scene, she depicts the extremes of fashion and the glamour of youth by using highly polished silvered bronze, known as \"liquid silver\"."},"finish":{"lang":"en","text":"Stainless Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fimprovisation.jpg?alt=media"}],"index":"aat","info_url":["https://womensart.murrayedwards.cam.ac.uk"],"location":[52.21468803472817,0.108442967757583],"location_name":{"lang":"en","text":"Murray Edwards College"},"title":{"lang":"en","text":"Improvisation"},"type":10,"year":1988},"intuition_1993":{"artist":{"lang":"en","text":"John Robinson"},"desc":{"lang":"en","text":"“…for me it represents a knotted core of stability of knowledge within the centre of which comes sparks of originality and invention, often for no apparent reason”."},"finish":{"lang":"en","text":"Stainless steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fintuition.jpg?alt=media"}],"index":"aaz","info_url":["http://www.bradshawfoundation.com/jr/"],"location":[52.20939503,0.102970004],"location_name":{"lang":"en","text":"Isaac Newton Institute"},"title":{"lang":"en","text":"Intuition"},"type":10,"year":1993},"london_to_paris":{"artist":{"lang":"en","text":"Eduardo Paolozzi"},"desc":{"lang":"en","text":"Paolozzi (1924 - 2005) was successful in a wide variety of media while describing his work as surrealist art. He collected and used unrelated objects such as found objects from scrap yards for three dimensional constructions,  London to Paris is an example. We see randomly shaped additions of metal and oak to abstracted human parts, suggesting a transient existence in a mechanical world.  As a young man he worked in Paris where he was inspired by leading artists, such as Giacometti.\n\nAnother work by Paolozzi, Daedalus on Wheels, can be found in the grounds of Jesus College on Trail 2.\n\nhttp://www.chu.cam.ac.uk"},"finish":{"lang":"en","text":"Bronze, metal and oak"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Flondon_to_paris.jpg?alt=media"}],"index":"aad","info_url":["https://www.nationalgalleries.org/art-and-artists/artists/eduardo-paolozzi"],"location":[52.21203499,0.102808988],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"London to Paris"},"type":10,"year":2000},"mathematical_gates":{"artist":{"lang":"en","text":"John Robinson"},"desc":{"lang":"en","text":"Entrance and gates are accessed from the footpath. 01223 337548.\n\nThe Mathematical Gates depict two knots each with eleven crossings. The knots are distinct from each other but you will need to look very closely at both gates to see the subtle difference between the two knots.\n\nThe south gate shows the knot discovered by J H Conway, a Cambridge mathematician in 1970. The north gate shows a knot studied earlier by Kinoshita and Terasaka.\n\nThese extraordinary knots are mathematically difficult to distinguish from each other and from the unknot (a simple circle)."},"finish":{"lang":"en","text":"Stainless Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fmathematical_gates.jpg?alt=media"}],"index":"aaw","info_url":["https://www.newton.ac.uk/about/art-artefacts/mathematical-gates-faulkes-gatehouse/"],"location":[52.2099,0.10339],"location_name":{"lang":"en","text":"Faulkes Gatehouse, Isaac Newton Institute, Clarkson Road"},"title":{"lang":"en","text":"Mathematical Gates"},"type":10,"year":1970},"past_present_future":{"artist":{"lang":"en","text":"Geoffrey Clarke"},"desc":{"lang":"en","text":"Past, Present, Future is based on a maquette produced for a public sculpture made for Jersey Airport in 1966.\nTwo of Geoffrey Clarke’s other works, College Gate, and Archives Centre Doors were created specifically for the college in 1961. Clarke (1924 - 2014) is noted as a pioneer in the use of sand and expanded polystyrene for direct casting in aluminium, a quicker and more economic way of casting with the new materials of the time. He became one of the most commissioned British sculptors of the twentieth century, often working with architects which led to over 500 commissions.\nAnother piece by the artist, Unnamed Sculpture, can be found at Homerton College, Trail 1.\n\nhttps://www.pangolinlondon.com"},"finish":{"lang":"en","text":"Aluminium"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fpast_present_future.jpg?alt=media"}],"index":"aam","info_url":["https://suffolkartists.co.uk/index.cgi?choice=painter&pid=4018"],"location":[52.21398055239402,0.10053377808800651],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Past, Present, Future"},"type":10,"year":2010},"plainsong":{"artist":{"lang":"en","text":"Peter Hide"},"desc":{"lang":"en","text":"This monumental sculpture made from massive slabs of bent steel, sandblasted and painted, is placed on a raised hillock giving a commanding view of the rear of the college site with the background a wide sky-scape. The mass and volume draw attention to the immovable state of the sculpture.\nPeter Hide (British b.1944) is a widely exhibited and renowned international sculptor. He was tutored by Antony Caro and subsequently became his part-time apprentice. He was a key figure in the modernist movement for which London was known in the 60s.  In the 1970s he moved to Canada, becoming Professor of Sculpture at the University of Alberta. Hide developed his style to portray abstract monolithic constructions."},"finish":{"lang":"en","text":"Mild Low Carbon Steel, Paint"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fplainsong.jpg?alt=media"}],"index":"aak","info_url":["https://www.peterhide.ca"],"location":[52.21238708882372,0.0982798176806235],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Plainsong"},"type":10,"year":2000},"pointing_figure_with_child_1966":{"artist":{"lang":"en","text":"Bernard Meadows"},"desc":{"lang":"en","text":"Bernard Meadows (1915-2005) was a studio assistant to Henry Moore when young, returning to work with Moore in the late 1970s.  His work is mainly in bronze and, although abstract, is often based on animal and plant forms suggesting human characteristics. His early pieces related to fear and defence as part of the human condition in the wake of World War II and the Cold War that followed. Meadows developed an interest in finishes, and in this sculpture he used different degrees of polishing adding light and contrast in order to accentuate a shape within the overall form.\n\nhttp://www.tate.org.uk/art/artists/bernard-meadows-1615\n"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fpointing_figure_with_child.jpg?alt=media"}],"index":"aac","info_url":["https://theninebritishart.co.uk/artists/bernard-meadows/"],"location":[52.21211798,0.103348028],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Pointing Figure with Child"},"type":10,"year":1966},"pulse_1996":{"artist":{"lang":"en","text":"John Robinson"},"desc":{"lang":"en","text":"Institute of Astronomy\nMadingley Road\nTel: 01223 337548\nwww.ast.cam.ac.uk/public\n\nThe Institute of Astronomy is further along Madingley Road in the direction of the Park and Ride. Sculptures may be viewed by the public on open days which are posted on the Institute's website. Access is by the second entrance on the right off Madingley Road. In summer the Institute of Astronomy holds an annual sculpture exhibition in conjunction with Anglia Ruskin University art students and some of their works may be retained on site. John Robinson (1935-2007) stated, “for me this sculpture captures the concept of the Big Bang and the creation of the Universe that has been put forward by Professors Stephen Hawking and Roger Penrose”. Robinson experimented with the geometric construction achieving a result “... that was not only an explosion of light in the middle of the sculpture but also has a sense of gravity towards the centre, thus creating a pulse in the forces: Expansion and Implosion”.\n\nThis sculpture is part of the Universe Series of which three others can be seen at the Isaac Newton Institute on this Trail."},"finish":{"lang":"en","text":"Stainless steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fpulse.jpg?alt=media"}],"index":"aca","info_url":["http://www.bradshawfoundation.com/jr/"],"location":[52.214288,0.093665],"location_name":{"lang":"en","text":"Isaac Newton Institute"},"title":{"lang":"en","text":"Pulse"},"type":10,"year":1996},"southern_shade_2012":{"artist":{"lang":"en","text":"Nigel Hall"},"desc":{"lang":"en","text":"The title refers to the light and shade of southern France where Hall observed the intricate structure of branches that comprise the vast canopies of Parasol Pines. To quote Hall: \"My work has always been about place. I am fascinated by the way geometry can be discerned in landscape.\"\n\nNigel Hall (b 1943) is inspired by the changing relationship between space and form; the play of light and shadow that are experienced when walking in the countryside. In this sculpture the apparent density of black of the bronze can change to grey according to the quality of the natural light and the time of day.\n\nAnother sculpture by the same artist, Bigger Bite 2010, can be seen at the Sidgwick Site on Trail 2, Natural Pearl 2017, Pembroke College Trail 2.\n\nImage: Copyright The Artist\n\nhttp://www.annelyjudafineart.co.uk/artists/nigel-hall"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fsouthern_shade.jpg?alt=media"}],"index":"aab","info_url":["https://www.nigelhallartist.com"],"location":[52.21277797,0.104085971],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Southern Shade"},"type":10,"year":2012},"spiral_1991":{"artist":{"lang":"en","text":"Michael Gillespie"},"desc":{"lang":"en","text":"Michael Gillespie (1929-2012) made small casts for Epstein and later for Frink. His own work became increasingly abstract following his listening to shapes and he felt that “the sculptures must speak for themselves, as is proper”.\n"},"finish":{"lang":"en","text":"Cement with resin skin"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fspiral.jpg?alt=media"}],"index":"aah","info_url":["https://artuk.org"],"location":[52.21332899,0.102474969],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Spiral"},"type":10,"year":1991},"star_and_cloud":{"artist":{"lang":"en","text":"Bruce Gernand"},"desc":{"lang":"en","text":"The Isaac Newton Institute is a fitting location for Gernand’s sculpture; this research visitor institute aims to understand all aspects of the physical world, including stellar formation, through the power of mathematics.\n\nBruce Gernand, (b1949) is noted for his abstract sculptures which are derived from his work on 3D computer-modelled images.  Through his imaginative processing Gernand  has transformed star and cloud interaction from digital technology into a material Star and Cloud representation of their relationship. Put simply, stars are formed within clouds of dust; turbulence in such clouds creates regions of high density, which reach sufficient   mass so that  gas and dust collapse under gravity to form stars. Gernand’s sculpture draws attention to Star, which becomes substantial and individual, while Cloud is moving and ever changing - they are opposites and separate but combine within this physical sculpture to appear to mesh and interlock.\n\nGernand has won numerous awards, from a Henry Moore Foundation Fellowship, to a recent Arts and Humanities Research Council award supporting work with The Natural History Museum and the Cambridge Computer Laboratory"},"finish":{"lang":"en","text":"Aluminium"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fstar_and_cloud.jpg?alt=media"}],"index":"aax","info_url":["https://www.brucegernand.com"],"location":[52.209616,0.10257],"location_name":{"lang":"en","text":"Located through the Mathematical Gates at the back of the garden"},"title":{"lang":"en","text":"Star and Cloud"},"type":10,"year":2019},"three_dung_beetles_2000":{"artist":{"lang":"en","text":"Wendy Taylor"},"desc":{"lang":"en","text":"Wendy Taylor (b 1945) has two distinct strands to her work; large abstract pieces that appear to be in precarious balance, and drawings and sculptures of animals and insects, anatomically correct and realised in minute detail. Her commissioned sculptures can be seen in public places throughout Britain.\n\nAnother sculpture by the same artist, Jester 1994, at Emmanuel College features on Trail 2 .\n\nhttp://www.art.newhall.cam.ac.uk/the-collection/by/artist/id/242/name/Wendy+Taylor+CBE/artwork/389\n"},"finish":{"lang":"en","text":"Bronze"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fthree_dung_beetles.jpg?alt=media"}],"index":"aar","info_url":["http://www.wendytaylorsculpture.co.uk/"],"location":[52.21429702,0.108597027],"location_name":{"lang":"en","text":"Murray Edwards College"},"title":{"lang":"en","text":"Three Dung Beetles"},"type":10,"year":2000},"to_boullée_1993":{"artist":{"lang":"en","text":"Michael Dan Archer"},"desc":{"lang":"en","text":"Michael Dan Archer (b 1955) made this work in homage to the French visionary architect, Boullée.  Physical transformation through the working and grinding of stone and psychological transformation as evoked by symbolic imagery are key to Archer's purpose. \n\nAnother sculpture by the same artist, Dream is at the Wychfield Site also on this Trail. A third work by Michael Dan Archer, Gog and Magog 2003, cast iron and granite, can be seen outside Eastbrook, the Government buildings, Shaftesbury Road on weekdays only.\n"},"finish":{"lang":"en","text":"Granite"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Fto_boullee.jpg?alt=media"}],"index":"aaf","info_url":["http://www.archersculpture.co.uk/"],"location":[52.21273798,0.102297021],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"To Boullée"},"type":10,"year":1993},"twelve_2006":{"artist":{"lang":"en","text":"Jonathan Clarke"},"desc":{"lang":"en","text":"Entry is through the Porters' Lodge, Storey's Way.\n\nJonathon Clarke (b1961) works primarily in sand and cast aluminium. This work is a unique piece using expanded polystyrene that is vaporised in the process of creation. Clarke uses the technique originally developed by his father, Geoffrey Clarke. Sculptures by the same artist can be seen at Homerton College, Trail 1 and Past, Present, Future on this trail."},"finish":{"lang":"en","text":"Cast and welded aluminium"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Ftwelve.jpg?alt=media"}],"index":"aao","info_url":["http://www.jonathanclarke.co.uk/"],"location":[52.21532204,0.104426024],"location_name":{"lang":"en","text":"Trinity Hall, Wychfield Site"},"title":{"lang":"en","text":"Twelve"},"type":10,"year":2006},"two_circular_forms_no_1_1961":{"artist":{"lang":"en","text":"Robert Adams"},"desc":{"lang":"en","text":"\nCurrently located in the Fellows’ Garden - view by appointment only.\n\nRobert Adams (1917-1984) was one of the foremost post-war British New Generation sculptors.  Leaving school at a young age, he worked in various manual jobs while studying art part-time. He built up experience in sculpting abstract forms firstly in wood and stone and then later in welding metal. He joined a group of artists which acted as a forum for Constructivist ideas in Britain.  This fitted Adams’ particular interest in geometrical abstraction together with his enthusiasm for developing the link between art and architecture.  Two Circular Forms No 1 exemplifies his purpose with its two organically inspired and painted circular forms suspended in a ridgid grid suggesting a balance between nature and architecture.\n\nAnother sculpture by Robert Adams, Two 1976-7, can be seen at Clare College on Trail 2.\n\nImage: Copyright Gimple Fils\n\n     \n\t\t"},"finish":{"lang":"en","text":"Painted Steel"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Ft3%2Ftwo_circular_forms.jpg?alt=media"}],"index":"aag","info_url":["https://www.tate.org.uk"],"location":[52.21308600157499,0.102598015218973],"location_name":{"lang":"en","text":"Churchill College"},"title":{"lang":"en","text":"Two Circular Forms No. 1"},"type":10,"year":1961}}}},"places":{"gb_cambridge_sculpture_trails":{"desc":{"lang":"en","text":"About Cambridge Sculpture Trails\n\nCambridge Sculpture Trails was devised by art enthusiasts who were keen to share their joy in finding sculptures in contrasting places, from peaceful college grounds to busy city streets. Many of the sculptures are sited in attractive garden settings which can be savoured whatever the season, while sculptures in streets may be missed unless you know where to look.\n\nThe project was launched in 2009, with the aid of a lottery grant. It is an unincorporated association run entirely by volunteers who claim no expenses. We are very grateful for the support we have received, such as grants from Cambridge City Council and generous donations from companies and private individuals.\n\nWhen the project began, we did not anticipate the vast increase in population, work opportunities and building development that the city is now experiencing. This rapid growth highlights a need to identify and laud the cultural heritage of Cambridge as a place of learning, research and innovation. The stories behind each sculpture do just that by marking historic events and famous people and places. \n\nLet the trails guide you around this historic city, walking as fast or as slowly as you wish and discovering art works by major international figures and increasingly established and up-and-coming sculptors. The element of fun can be an individual experience or shared with friends and family.  \n\nWe aim to keep up-to-date through our website and app by adding new sculptures as they arrive in central Cambridge through contact with colleges, Commission Project, Futurecity and also Cambridge CIty Council.  Free paper guides that map the  sculptures are available at various locations including Cambridge Visitor Information Centre, Michaelhouse Cafe and The Fitzwilliam Museum. \n\nWe give contact details for  College Porters’ Lodges to enable trail users to check for access, which can be restricted, especially at exam times.  Access for disabled visitors to college grounds is usually possible. The Visitor Information Centre publishes “A Disabled Guide to Cambridge”. Telephone 01223 457577.\n\nWe thank our supporters for the website: Cambridge City Council and anonymous donors.\n\n\n\nHere you will find three separate sculpture walks around the city:\n\n.   Trail 1 South Cambridge\n    about 2 hours\n .   Trail 2 Central Cambridge\n     about twice as long if done in one go\n .   Trail 3 West Cambridge\n     about 2 hours\n\nPlus\n.    Maps with signposts to help you find\n     your way\n.    Information about access\n.    Photos of each piece\n.    Links to further information about the\n     sculptors\n\nCafes and restaurants on Trails 1 and 2 but not on Trail 3\n"},"images":[{"image":"https://firebasestorage.googleapis.com/v0/b/cambridge-st.firebasestorage.app/o/images%2Fcst%2Fcst.jpg?alt=media"}],"location":[52.2053183,0.121758],"name":{"lang":"en","text":"Cambridge Sculpture Trails"}}},"trails":{"gb_cambridge_sculpture_trails":{"addenbrookes":{"bg":"#163047","desc":{"lang":"en","text":"Discover the modern sculpture in Cambridge. Four easy to follow walking trails guide you round the vast array of contemporary sculpture sited throughout the city and in college grounds. See our free app in the App Stores.\nSome of the sculptures have been funded by S106 Public Art Contributions by Cambridge City Council and are marked *.\nThe ‘Visit Cambridge’ website, visitcambridge.org, gives details of disabled access.\nCambridge Sculpture Trails wishes to thank Art Friends of Cambridgeshire for their donation which has supported the recent updating of the city centre trails.\n\nStarting in the undulating landscaped green space between Royal Papworth Hospital and AstraZeneca, Trail 4 will lead you to some of the newest contemporary art and sculpture in Cambridge as well as those that have been part of the Addenbrooke's Hospital art collection for many years. The self-guided route can be accessed at any point and will take up to two hours to walk. The route ends outside Papworth Hospital. Cycling is possible as there are some cycle paths, but walking may still be required in parts due to the one-way road system in places. Access to the site is best by cycle or public transport. There is a frequent bus service and Trumpington park & ride and Babraham Road park & ride are very convenient. The Guided Bus stops in 'The Green and The Gardens'. 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Four easy to follow walking trails guide you round the vast array of contemporary sculpture sited throughout the city and in college grounds. See our free app in the App Stores.\nSome of the sculptures have been funded by S106 Public Art Contributions by Cambridge City Council and are marked *.\nThe ‘Visit Cambridge’ website, visitcambridge.org, gives details of disabled access.\nCambridge Sculpture Trails wishes to thank Art Friends of Cambridgeshire for their donation which has supported recent updating of the city centre trails.\n\nTrail 1 begins near the Railway Station and ends with a view across Midsummer Common to the River Cam.\nOn the way you will pass by an evocative Memorial to those who have died in conflict, and discover The Fitzwilliam Museum and the Scott Polar Institue.\nYou will also skirt the open space known as Parker's Piece where the rules for football as we know it today were drawn up. 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Four easy to follow walking trails guide you round the vast array of contemporary sculpture sited throughout the city and in college grounds. See our free app in the App Stores.\nSome of the sculptures have been funded by S106 Public Art Contributions by Cambridge City Council and are marked *.\nThe ‘Visit Cambridge’ website, visitcambridge.org, gives details of disabled access.\nCambridge Sculpture Trails wishes to thank Art Friends of Cambridgeshire for their donation which has supported recent updating of the city centre trails.\n\nTrail 3 is an attractive and tranquil walk that provides the delightful experience of viewing sculpture within several college gardens where the settings change with the passing seasons. Please note in exam term there may be restricted access to college grounds.\n\nThis West Cambridge walk may be accessed from the Madingley Road Park & Ride buses that also connect to the city centre. There are no refreshments available en-route. Starting at Churchill College the walk takes approximately two hours as it continues to Trinity Hall's Wychfield Site followed by Murray Edwards College. It ends at the Isaac Newton Institute for Mathematical Sciences in Clarkson Road with its impressive 'Universe' series of three steel sculptures.\n\nChurchill College has a significant collection of sculpture in the grounds. On checking in at the Porter’s Lodge ask for the printed 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